{"product_id":"sony-fx-3-full-frame-cinema-camera","title":"Sony FX-3 Full Frame Cinema Camera","description":"\u003ch2\u003eSony FX-3 Full Frame Cinema Camera\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eFull-frame image capture even in dim light\u003c\/strong\u003e\u003cbr\u003e\nThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide dynamic range, wider creative expression\u003c\/strong\u003e\u003cbr\u003e\nThe FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003c\/strong\u003e\u003cbr\u003e\nCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic colour science of S-Cinetone™\u003c\/strong\u003e\u003cbr\u003e\nS-Cinetone colour, developed for Sony's acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K 120fps with every frame in focus\u003c\/strong\u003e\u003cbr\u003e\nEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit S-Log3 and HDR recording for smooth gradations\u003c\/strong\u003e\u003cbr\u003e\nS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW HDMI output\u003c\/strong\u003e\u003cbr\u003e\nFor demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K or XAVC S-I 4K and proxy files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnjoy rich detail and realistic colour\u003c\/strong\u003e\u003cbr\u003e\nThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\n\u003cp\u003e[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003c\/strong\u003e\u003cbr\u003e\nThe wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSophisticated tracking AF for steady focus\u003c\/strong\u003e\u003cbr\u003e\nSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmooth transitions and touch focus control\u003c\/strong\u003e\u003cbr\u003e\nThe FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-performance E-mount lenses for movies\u003c\/strong\u003e\u003cbr\u003e\nExperience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for tough cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support creative endeavours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-mobility performance wherever you go\u003c\/strong\u003e\u003cbr\u003e\nWith its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttachable XLR handle\u003c\/strong\u003e\u003cbr\u003e\nA handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-camera image stabilisation\u003c\/strong\u003e\u003cbr\u003e\nActive Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.\u003c\/p\u003e\n\u003cp\u003e[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage stabilisation and easier editing with Catalyst\u003c\/strong\u003e\u003cbr\u003e\nCamera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse \/ Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpandability and operability for content creators\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFront and rear tally lamps\u003c\/strong\u003e\u003cbr\u003e\nTally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVari-angle LCD touch-panel monitor\u003c\/strong\u003e\u003cbr\u003e\nThe 3.0-type (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssential controls for efficient solo shooting\u003c\/strong\u003e\u003cbr\u003e\nIn addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K\/60p recording\u003c\/strong\u003e\u003cbr\u003e\nFor uninterrupted 4K\/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr\u003e\nIn addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual high-speed media slots\u003c\/strong\u003e\u003cbr\u003e\nDesigned for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote camera control and network transfer\u003c\/strong\u003e\u003cbr\u003e\nA network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote preview, shooting and streaming\u003c\/strong\u003e\u003cbr\u003e\nEither wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eCompact Form for Cage-Free Operation\u003c\/li\u003e\n\u003cli\u003eDetachable 2 x XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Sony India 2 Years Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCAMERA TYPE:\u003c\/strong\u003e Interchangeable lens digital camera\u003cbr\u003e\n\u003cstrong\u003eLENS MOUNT:\u003c\/strong\u003e E-mount\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize \u0026amp; Weight\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWEIGHT (MAIN UNIT ONLY) (APPROX.):\u003c\/strong\u003e 715 g (1 lb 9.3 oz) (with battery and memory card included), 640 g (1 lb 6.6 oz) (body only)\u003cbr\u003e\n\u003cstrong\u003eWEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.):\u003c\/strong\u003e 1.015 kg　(2　lb　3.8 oz) (with XLR Handle, battery pack, SD card)\u003cbr\u003e\n\u003cstrong\u003eDIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.):\u003c\/strong\u003e 1.015 kg　(2　lb　3.8 oz) (with XLR Handle, battery pack, SD card)\u003cbr\u003e\n\u003cstrong\u003eDIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)\u003c\/strong\u003e: 129.7 mm x 77.8 mm x 84.5 mm (5.11 x 3.06 x 3.33) (body without protrusions)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003ePOWER CONSUMPTION:\u003c\/strong\u003e [Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)\u003cbr\u003e\n\u003cstrong\u003eBATTERY OPERATING TIME:\u003c\/strong\u003e Approx. 95 min (Actual recording, CIPA standard)　, Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperation\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eOPERATING TEMPERATURE:\u003c\/strong\u003e 0 °C to 40 °C (32 °F to 104 °F)\u003cbr\u003e\n\u003cstrong\u003eSTORAGE TEMPERATURE:\u003c\/strong\u003e –20 °C to +55 °C (–4 °F to +131 °F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Format (Video)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eXAVC HS\u003c\/strong\u003e\u003cbr\u003e\n[XAVC HS 4K] XAVC HS 4K 59.94p\/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p\/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p 45 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p 280Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265\u003cbr\u003e\n\u003cstrong\u003eXAVC S\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S 4K] XAVC S 4K 59.94p\/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 59.94p\/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, [XAVC S HD] XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC HD 29.97p\/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264,\u003cbr\u003e\n\u003cstrong\u003eXAVC S-I\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Format (Audio)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eRECORDING FORMAT (AUDIO):\u003c\/strong\u003e LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Frame Rate\u003c\/strong\u003e\u003cbr\u003e\nXAVC HS: [XAVC HS 4K] 3840 x 2160\/119.88p, 100p, 59.94p, 50p, 23.98p\u003cbr\u003e\nXAVC S: [XAVC S 4K] 3840 x 2160\/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080\/59.94p, 50p, 29.97p, 25p, 23.98p\u003cbr\u003e\nXAVC S-I: [XAVC S-I 4K] 3840 x 2160\/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080\/59.94p, 50p, 29.97p, 25p, 23.98p,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording\/Playback Time\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eXAVC HS\u003c\/strong\u003e\u003cbr\u003e\n[XAVC HS 4K] 59.94p\/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p\/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p\/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p\/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes, 59.94p\/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80 GB) Approx. 160 minutes\u003cbr\u003e\n\u003cstrong\u003eXAVC S\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S 4K] 59.94p\/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p\/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p\/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p\/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 390 minutes\u003cbr\u003e\n\u003cstrong\u003eXAVC S-I\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S-I 4K] XAVC S-I 4K 59.94p\/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p\/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes\u003cbr\u003e\n\u003cstrong\u003ePROXY AUDIO:\u003c\/strong\u003e XAVC Proxy: AAC-LC, 128 kbps, 2 channels\u003cbr\u003e\n\u003cstrong\u003ePROXY VIDEO:\u003c\/strong\u003e 1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRAW Output\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eRAW OUTPUT:\u003c\/strong\u003e HDMI: 4264 x 2408 (59.94p\/50p\/29.97p\/25p\/23.98p), 16bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther Video Function\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eVIDEO FUNCTIONS\u003c\/strong\u003e: Audio Level Display, Audio Rec Level, TC\/UB, Creative Look, Gamma Display Assist, PAL\/NTSC Selector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera Section\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSENSOR TYPE:\u003c\/strong\u003e 35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor\u003cbr\u003e\n\u003cstrong\u003ePIXELS:\u003c\/strong\u003e Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)\u003cbr\u003e\n\u003cstrong\u003eSENSITIVITY:\u003c\/strong\u003e [Movie] ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit), [Still image] ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit)\u003cbr\u003e\nSHUTTER SPEED: Movie: 1\/8000 to 1\/4 (1\/3 steps), up to 1\/60 in AUTO mode (up to 1\/30 in Auto slow shutter mode) Still image: 1\/8000 to 30 s, Bulb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSlow \u0026amp; Quick Motion\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eXAVC HS\u003c\/strong\u003e\u003cbr\u003e\nXAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps\u003cbr\u003e\n\u003cstrong\u003eXAVC S\u003c\/strong\u003e\u003cbr\u003e\nXAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps\u003cbr\u003e\n\u003cstrong\u003eXAVC S-I\u003c\/strong\u003e\u003cbr\u003e\nXAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWHITE-BALANCE MODES:\u003c\/strong\u003e Auto \/ Daylight \/ Shade \/ Cloudy \/ Incandescent \/ Fluorescent \/ Flash \/ Underwater \/ Colour Temperature (2500 to 9900K) \u0026amp; colour filter \/ Custom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGamma\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eGAMMA CURVE:\u003c\/strong\u003e Off \/ PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLatitude\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eLATITUDE:\u003c\/strong\u003e 15+ stop (S-Log3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus System\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTYPE:\u003c\/strong\u003e Fast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003cbr\u003e\n\u003cstrong\u003eFOCUS POINT:\u003c\/strong\u003e [Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)\u003cbr\u003e\n\u003cstrong\u003eSENSITIVITY RANGE:\u003c\/strong\u003e EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)\u003cbr\u003e\n\u003cstrong\u003eFOCUS MODE:\u003c\/strong\u003e [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus\u003cbr\u003e\n\u003cstrong\u003eFOCUS AREA:\u003c\/strong\u003e [Movie] Wide \/ Zone \/ Centre \/ Flexible Spot \/ Expanded Flexible Spot, [Still image] Wide \/ Zone \/ Centre \/ Flexible Spot \/ Expanded Flexible Spot \/ Tracking\u003cbr\u003e\n\u003cstrong\u003eOTHER FOCUS FEATURES:\u003c\/strong\u003e Eye AF ([Movie] Human (Right\/Left Eye Select), ([Still image] Human (Right\/Left Eye Select) \/ Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x \/ 4.1x, APS-C: 1.5x \/ 3.0x)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eMETERING SENSITIVITY:\u003c\/strong\u003e EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)\u003cbr\u003e\nEXPOSURE MODES: [Movie] Programmed AE (P) \/ Aperture priority (A) \/ Shutter-speed priority (S) \/ Manual (M) \/ Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording (Still image)\u003c\/strong\u003e\u003cbr\u003e\nRECORDING FORMAT: JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)\u003cbr\u003e\nIMAGE SIZE: Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003ePLAYBACK FUNCTIONS:\u003c\/strong\u003e Index view, Folder selection (Date \/ Still \/ Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterface\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eAUDIO INPUT:\u003c\/strong\u003e 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR\/TRS-type 3-pin (female) (x2), line\/mic\/mic +48 V selectable, Mic Reference –40 to –60 dBu \/ [INPUT3] 3.5 mm Stereo minijack)\u003cbr\u003e\n\u003cstrong\u003eUSB:\u003c\/strong\u003e USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi\/Micro USB (x1)\u003cbr\u003e\n\u003cstrong\u003eHEADPHONE OUTPUT:\u003c\/strong\u003e Yes (3.5 mm Stereo minijack)\u003cbr\u003e\n\u003cstrong\u003eSPEAKER OUTPUT:\u003c\/strong\u003e Built-in, monaural\u003cbr\u003e\n\u003cstrong\u003eHDMI OUTPUT:\u003c\/strong\u003e HDMI jack (Type-A), YCbCr 4:2:2 10 bit \/ RGB 8 bit\u003cbr\u003e\n\u003cstrong\u003eMULTI INTERFACE SHOE:\u003c\/strong\u003e With Digital Audio Interface\u003cbr\u003e\n\u003cstrong\u003eBLUETOOTH®:\u003c\/strong\u003e Bluetooth Standard Ver. 5.0 (2.4 GHz band)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eLCD:\u003c\/strong\u003e 7.5 cm (3.0-type) type, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in Microphone\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eBUILT-IN MICROPHONE:\u003c\/strong\u003e Built-in, stereo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eMEDIA TYPE:\u003c\/strong\u003e CFexpress Type A \/ SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFile System\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFILE SYSTEM:\u003c\/strong\u003e FAT12, 16, 32, exFAT\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eZOOM FUNCTION:\u003c\/strong\u003e Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStill image function\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSHUTTER:\u003c\/strong\u003e Mechanical shutter \/ Electronic shutter\u003cbr\u003e\n\u003cstrong\u003eDRIVE MODES:\u003c\/strong\u003e Single Shooting, Continuous shooting (Hi+\/Hi\/Mid\/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket\u003cbr\u003e\n\u003cstrong\u003eCONTINUOUS SHOOTING SPEED:\u003c\/strong\u003e Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps\u003cbr\u003e\n\u003cstrong\u003eNOISE REDUCTION:\u003c\/strong\u003e Long exposure NR: On \/ Off, available at shutter speeds longer than 1 s, High ISO NR: Normal \/ Low \/ Off\u003cbr\u003e\n\u003cstrong\u003eFLASH CONTROL:\u003c\/strong\u003e Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1\/250 s.\u003cbr\u003e\n\u003cstrong\u003eOTHER STILL IMAGE FUNCTION:\u003c\/strong\u003e Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot .\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTYPE:\u003c\/strong\u003e Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)\u003cbr\u003e\n\u003cstrong\u003eMODE:\u003c\/strong\u003e [Movie] Active \/ Standard \/ Off, [Still image] On \/ Off\u003cbr\u003e\n\u003cstrong\u003eCOMPENSATION EFFECT (STILL IMAGES):\u003c\/strong\u003e 5.5 stops (based on CIPA standard. Pitch\/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Function\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCUSTOM FUNCTION:\u003c\/strong\u003e Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Compensation\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eLENS COMPENSATION:\u003c\/strong\u003e Peripheral Shading, Chromatic Aberration, Distortion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWi-Fi\/NFC\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSUPPORTED FORMAT:\u003c\/strong\u003e IEEE 802.11a\/b\/g\/n\/ac\u003cbr\u003e\n\u003cstrong\u003eFREQUENCY BAND:\u003c\/strong\u003e 2.4 GHz band\/5 GHz band\u003cbr\u003e\n\u003cstrong\u003eSECURITY:\u003c\/strong\u003e WEP\/WPA-PSK\/WPA2-PSK\u003cbr\u003e\n\u003cstrong\u003eNFC:\u003c\/strong\u003e NFC Forum Type 3 Tag compliant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFTP Transfer\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFTP TRANSFER:\u003c\/strong\u003e Wired LAN (USB-LAN), USB Tethering, Wi-Fi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eFAQs\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e1. What are the key features of the Sony FX-3 Full Frame Cinema Camera?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX-3 offers features like full-frame 4K video recording, exceptional low-light performance, a compact and lightweight design, and professional-level creative controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. What sets the Sony FX-3 apart for filmmakers?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX-3 is designed specifically for filmmakers, with features like S-Cinetone color profile, 10-bit 4:2:2 recording, dual native ISO, and advanced autofocus capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. Can I use my existing E-mount lenses with the Sony FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX-3 is compatible with a wide range of E-mount lenses, providing flexibility and creative options for different shooting scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4. How does the dual native ISO benefit low-light shooting?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe dual native ISO technology in the Sony FX-3 allows for excellent low-light performance by reducing noise and preserving image quality in challenging lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. Does the camera support external recording options?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX-3 features HDMI output for external recording, making it suitable for professional workflows and multi-camera setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6. What is the battery life like on the Sony FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera offers an extended battery life, making it suitable for long shooting sessions. You can also use a compatible power bank for continuous power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7. Are there any specialized accessories available for the FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSony offers a range of accessories such as handles, cages, and viewfinders designed to enhance the usability and versatility of the Sony FX-3 Cinema Camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8. Can I shoot in different frame rates with the FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX-3 supports a variety of frame rates, including cinematic 24p and higher frame rates for creative slow-motion shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9. What is the advantage of the compact and lightweight design?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact and lightweight design of the Sony FX-3 makes it highly portable and suitable for handheld and gimbal-mounted shooting, ensuring maximum flexibility on set.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51203636658452,"sku":"ILME-FX3","price":405990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Sony-FX-3-Full-Frame-Cinema-Camera-Online-Buy-Mumbai-India.jpg?v=1755779832","url":"https:\/\/heyjimmy.in\/products\/sony-fx-3-full-frame-cinema-camera","provider":"Hey Jimmy","version":"1.0","type":"link"}