Cinematic Power with the Nikon ZR 6K Body
The heart of this kit is the Nikon ZR 6K Cinema Camera, designed to meet the demanding needs of modern filmmakers. With full-frame 6K resolution, wide dynamic range, and professional-grade color science, it delivers footage that rivals big-budget cinema productions. The lightweight yet rugged body makes it equally comfortable for handheld shooting, rig setups, or gimbal work, ensuring flexibility across different production styles.
Frustrations like lack of detail in highlights, poor low-light performance, or bulky camera rigs are eliminated with this system. The ZR is built to give filmmakers uncompromised image quality in a portable, production-ready package.
Versatility with NIKKOR Z 24-70mm f/4 S Lens
For filmmakers who demand sharpness, consistency, and creative freedom, the included NIKKOR Z 24-70mm f/4 S lens is a perfect match. Its focal range covers wide establishing shots to intimate portraits, while the constant f/4 aperture ensures uniform exposure throughout the zoom. Nano Crystal Coat and weather-sealed construction keep images clean and clear, even during challenging shoots.
A common challenge for filmmakers is swapping lenses frequently, disrupting workflow. This lens minimizes that problem by offering a versatile range in one high-quality zoom, reducing downtime and keeping your vision flowing.
Extended Reach with NIKKOR Z 24-200mm f/4-6.3 VR Lens
The NIKKOR Z 24-200mm f/4-6.3 VR adds even more creative flexibility to this kit. With its expansive zoom range, it allows you to switch seamlessly from wide angles to telephoto perspectives without changing lenses. The built-in Vibration Reduction (VR) technology ensures steady shots, even at longer focal lengths, solving the frustration of shaky handheld video.
This lens is a dream for documentary filmmakers, event videographers, and travel creators who need an all-in-one solution that doesn’t compromise quality while covering diverse shooting situations.
Built for Professional Production Environments
The Nikon ZR 6K Kit is engineered to thrive in professional workflows. With support for external monitoring, professional audio integration, and a rugged body ready for field use, it gives filmmakers the confidence to push boundaries. Its compact form factor eliminates the bulk associated with traditional cinema rigs, making it easier to transport and set up without sacrificing image quality.
For those tired of heavy rigs, limited battery life, or cameras that can’t adapt to real-world production demands, this kit offers reliability, portability, and performance in one complete package.
The Complete Filmmaker’s Toolkit
The Nikon ZR 6K Cinema Camera Kit is not just a camera with lenses—it’s a complete solution for serious filmmakers. From commercial shoots to cinematic productions, music videos, documentaries, and content creation, this kit adapts to every creative need. It saves time, reduces frustration, and elevates production value with every frame captured.
Who Should Use Nikon ZR 6K Cinema Camera Kit
This kit is perfect for professional filmmakers, cinematographers, production houses, and independent creators who demand uncompromised image quality and versatile lens options in a ready-to-shoot package.
Why Should You Use Nikon ZR 6K Cinema Camera Kit
Because it provides a powerful combination of 6K cinematic performance, flexible zoom lenses, and a portable yet professional build, allowing you to create without compromise or unnecessary technical limitations.
Specifications
Type
Type
Digital camera with support for interchangeable lenses
Lens Mount
Nikon Z mount
Mount Type
Nikon Z mount
Picture Angle
Full-frame / FX-Format
Image Sensor
Sensor Size
35.9 mm x 23.9 mm
Image Sensor Type
CMOS
Total Pixels
26.79 million
Dust-Reduction System
Image Dust Off reference data (requires NX Studio)
5376 x 3024 (5.4K): 59.94p/50p/29.97p/25p/23.976p 3840 x 2160 (4.0K): 119.88p/100p/59.94p/50p/29.97p/25p/23.976p 1920 x 1080: 239.76p/200p/119.88p/100p/59.94p/50p/29.97p/25p/23.976p (RAW) 6048 × 3402 (6.0K): 59.94p/50p/29.97p/25p/23.976p 4032 × 2268 (4.0K): 59.94p/50p/29.97p/25p/23.976p 3984 × 2240 (4.0K): 119.88p/100p/59.94p/50p/29.97p/25p/23.976p
Video Compression
R3D NE (12-bit) , N-RAW (12 bit) , Apple ProRes RAW HQ , Apple ProRes 422 HQ , H.265/HEVC (8 bit/10 bit) , H.264/AVC (8 bit)
Audio Recording Format
Linear PCM (48 KHz, 24-bit or 32-bit float, for videos recorded in R3D, NEV or MOV format) AAC (48 KHz, 16-bit, for videos recorded in MP4 format)
Audio Recording Device
Built-in microphone or external microphone can be used; 32bit float recording via 3.5mm mini pin jack and built-in microphone. external audio devices can be used via line input and Digital accessory shoe, audio directivity (OZO Audio), audio input sensitivity adjustable; attenuator, frequency response, and wind noise reduction functions
Recording/Playback Time
Up to approx. 125 minutes (When recorded in R3D NE 6K 59.97p, with auto temperature cutout set to [High], at 25°C /77 °F, paired with an external power source)
Exposure Compensation
‘-3 to +3 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)
Active D-Lighting
Auto, Extra high, High, Normal, Low, and Off Note: When using RED picture control, Active D-Lighting must be set to [Extra High] for optimized exposure. With User Settings1 [Cinematic Video] mode, it is set by default.
Proxy Recording(Audio)
AAC
Proxy Recording(Video)
1920×1080, MP4
Other options for video recording
Time-lapse video recording, electronic vibration reduction, time codes, REC lamp, N-Log and HDR (HLG) video, waveform display, red REC frame indicator, video recording display zoom (50%, 100%, 200%, and 400%), extended shutter speeds (modes S and M), and dual-format (proxy video) recording for RAW video; option to view video recording info available via i menu; breathing compensation, Hi-Res Zoom, Preset User Setting 1[Cinematic video] and User Setting 2 [Slow-motion video]
Picture Control System
Picture Control
Auto , Standard , Neutral , Vivid , Monochrome , Flat Monochrome , Deep Tone Monochrome , Portrait , Rich Tone Portrait , Landscape , Flat Creative Picture Controls (Dream, Morning, Pop, Sunday, Somber, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Red, Pink, Charcoal, Graphite, Binary, Carbon); selected Picture Control can be modified; storage for Custom Picture Controls, Cloud Picture Controls Note: Custom Picture Control (C-1 to C-9); can be modified; [CineBias_RED] modified with flexible color is stored in C-1 by default Choice of Picture Controls is restricted to Standard, Monochrome, and Flat when HLG is selected for tone mode during still photography. Compatible with Cloud Picture Control.
Either card can be used for overflow or backup storage, for separate storage of NEF (RAW) and JPEG or HEIF pictures, or for storage of duplicate JPEG or HEIF pictures at different sizes and image qualities; pictures can be copied between cards.
Focus / Autofocus
Focus Point
Video mode: Up to 253 points, Photo mode: Up to 299 points
AF-Area Mode
Pinpoint (available in photo mode only), single-point, dynamic-area (S, M, and L; available in photo mode only), wide-area (S, L, C1, and C2), and auto-area AF; 3D-tracking (available in photo mode only); subject-tracking AF (available in video mode only)
Lens Servo
Autofocus (AF): Single-servo AF (AF-S) , continuous-servo AF (AF-C) , full-time AF (AF-F; available only in video mode) AF mode auto-switch (AF-A, photo mode only), predictive focus tracking Manual focus (M): Electronic rangefinder can be used
Detection Range
-10 to +19 EV Measured in photo mode at ISO 100 equivalent and a temperature of 20 °C/68 °F using single-servo AF (AF‑S) and a lens with a maximum aperture of f/1.2
Autofocus System
Hybrid phase-detection/contrast AF with AF assist
Exposure
Metering System
TTL metering using camera image sensor
Metering Mode
‘Matrix metering Center-weighted metering: Weight of 75% given to 12 or 8 mm circle in center of frame or weighting can be based on average of entire frame Spot metering: Meters circle with a diameter of approximately 4 mm centered on selected focus point Highlight-weighted metering
Range
-4 to +17 EV Figures are for ISO 100 equivalent and f/2.0 lens at 20 °C/68 °F
Mode
AUTO: auto, P: programmed auto with flexible program, S: shutter-priority auto, A: aperture-priority auto, M: manual
Exposure Compensation
-5 to +5 EV (choose from step sizes of ¹⁄₃ and ¹⁄₂ EV)
2 s, 5 s, 10 s, 20 s; 1–9 exposures at intervals of minimum, 0.5, 1, 2, or 3 s
Playback
Playback
Full-frame and thumbnail (up to 4, 9, or 72 pictures) playback with playback zoom, playback zoom cropping, video playback, slide shows, histogram display, highlights, photo information, location data display, auto picture rotation, picture rating, filtered playback, voice memo recording and playback, IPTC information embedding and display, skip to first shot in series, series playback, save consecutive frames, loop playback, and motion blend
External Interface
HDMI output connector
Type D HDMI connector
External audio input
Stereo mini-pin jack (3.5 mm diameter; plug-in power and line input supported), Digital accessory shoe
Audio output/remote cord
Stereo mini-pin jack (3.5 mm diameter)
Accessory Terminal
Build-in (can be used with MC-DC3 remote cords and other optional accessories) Note: Auto switch between headphone and remote cord is available.
Monitor
Monitor Size
( 4.0 –in.) diagonal
Monitor Resolution
Approx. 3070 k-dot
Monitor Type
vari-angle TFT touchsensitive LCD with 160° viewing angle, approximately 100% frame coverage, and color balance and 15-level manual brightness controls
Shutter
Shutter Type
Electronic shutter with shutter sound
Flash Sync Speed
Flash synchronizes with shutter at 1/60 s or slower
Shutter Speed
¹⁄₁₆₀₀₀ to 30 s (choose from step sizes of ¹⁄₃, ¹⁄₂, and 1 EV, extendable to 900 s in mode M), bulb, time
Bracketing
Bracketing Types
Exposure and/or flash , white balance , ADL
Vibration Reduction (VR)
Camera on-board VR
5-axis image sensor shift
Lens on-board VR
Lens shift (available with VR lenses)
Power
Battery / Batteries
One EN‑EL15c rechargeable Li-ion battery* *EN‑EL15b and EN‑EL15a batteries can be used in place of the EN‑EL15c. Note, however, that fewer pictures can be taken on a single charge than with the EN‑EL15c. EH-8P AC adapters can be used to charge EN‑EL15c and EN‑EL15b batteries only.
AC Adapter
EH-8P AC adapters (available separately); supplied USB cable required
Battery Endurance Operating Time
Approx. 90 min
Miscellaneous
Supplied Accessories
BS-D1 digital accessory shoe cover (comes attached to camera), BF-N1 body cap, EN‑EL15c rechargeable Li-ion battery, AN-DC26 strap, USB cable (featuring Type C connectors at both ends)
Weight
Approx. 630 g (1 lb. 6.3 oz ) with battery and memory card but without body cap and digital accessory shoe cover; approx. 540 g/1 lb. 3.1 oz (camera body only)
Dimensions (W × H × D)
Approx. 133 x 80.5 x 49 mm ( 5.2 x 3.2 x 2 in.)
Tripod Socket
0.635 cm (1/4 in., ISO 1222)
WiFi
Standards: IEEE 802.11b/g/n/a/ac (Africa, Asia, Europe, Oceania, U.S.A., Canada, and Mexico) IEEE 802.11b/g/n/a (other countries in the Americas) Operating frequency: – Asia, Africa (excluding the countries listed below), the Middle East (excluding the countries listed below), Armenia, Guam, New Caledonia, and Tahiti: 2412– 2462 MHz (channel 11) and 5745–5805 MHz – Europe (other than Armenia, Azerbaijan, and Georgia), Cyprus, India, Israel, and Turkey: 2412–2472 MHz (channel 13) and 5180–5825 MHz (5180–5700 MHz and 5745–5825 MHz) – U.S.A., Canada, Mexico, Australia, New Zealand, and the Republic of Fiji: 2412-2462 MHz (channel 11) and 5180-5825 MHz (5180-5580 MHz, 5660-5700 MHz, and 5745-5825 MHz) – Algeria, Azerbaijan, Egypt, Georgia, Morocco, and the Republic of the Congo: 2412–2462 MHz (channel 11) and 5180-5320 MHz – Other countries in the Americas: 2412-2462 MHz (channel 11) and 5180-5805 MHz (5180-5320 MHz and 5745-5805 MHz) Maximum output power (EIRP): 2.4 GHz band: 8.1 dBm 5 GHz band: 8.8 dBm Authentication: Open system, WPA2-PSK, WPA3-SAE
Bluetooth
Communication protocols: Bluetooth Specification Version 5.0 Operating frequency: Bluetooth: 2402 to 2480 MHz Bluetooth Low Energy: 2402 to 2480 MHz Maximum output power (EIRP): Bluetooth: 2.6 dBm Bluetooth Low Energy: 1.1 dBm
FAQs for Nikon ZR 6K Cinema Camera Kit
1. What is included in the Nikon ZR 6K Cinema Camera Kit?
This kit includes the Nikon ZR 6K Cinema Camera body along with two versatile lenses: the NIKKOR Z 24-70mm f/4 S and the NIKKOR Z 24-200mm f/4-6.3 VR. Together, they cover everything from wide-angle to telephoto shooting, making it an all-in-one filmmaking solution.
2. Does the Nikon ZR 6K camera support professional video workflows?
Yes, the Nikon ZR 6K is designed for professional use, supporting external monitoring, professional audio integration, and robust file formats that integrate seamlessly into post-production workflows for cinema, broadcast, and digital content.
3. What type of projects is this kit best suited for?
This kit is ideal for cinematic productions, commercial shoots, music videos, documentaries, and content creation. The included lenses offer flexibility for everything from close-up interviews to long-distance shots, making it suitable for both controlled and run-and-gun environments.
4. How does the 6K resolution benefit filmmakers compared to 4K?
The 6K resolution provides more detail, richer color depth, and greater flexibility in post-production. Filmmakers can crop, reframe, and stabilize footage without losing quality, which solves the common frustration of limited flexibility in editing.
5. Is the NIKKOR Z 24-70mm f/4 S lens good for video production?
Absolutely. The NIKKOR Z 24-70mm f/4 S lens delivers sharp, consistent results across its zoom range with minimal focus breathing. Its compact, weather-sealed design makes it reliable for both indoor and outdoor shoots.
6. What advantages does the NIKKOR Z 24-200mm f/4-6.3 VR lens offer filmmakers?
The 24-200mm lens provides extended reach for capturing wide shots, mid-range coverage, and telephoto perspectives in one lens. Its Vibration Reduction (VR) technology reduces handheld shake, which is crucial for stable video production.
7. Can the Nikon ZR 6K be used in low-light shooting conditions?
Yes, the Nikon ZR is optimized for low-light performance, with excellent sensitivity and noise reduction. This allows filmmakers to capture cinematic footage even in dimly lit environments, solving the challenge of grainy or unusable low-light video.
8. Is this kit travel-friendly for location shoots?
Yes, the Nikon ZR 6K body is lightweight and compact, and the included lenses are versatile enough to reduce the need for carrying multiple lens options. This makes the kit an excellent choice for travel filmmakers, documentary crews, and on-location shoots.
9. Does the camera support slow-motion and high-frame-rate recording?
Yes, the Nikon ZR 6K Cinema Camera supports high-frame-rate recording modes, enabling smooth slow-motion sequences that enhance creative storytelling and cinematic production value.
10. Who should invest in the Nikon ZR 6K Cinema Camera Kit?
This kit is designed for professional filmmakers, production studios, and independent creators who need a complete solution. It’s ideal for those who want the freedom of 6K resolution, versatile lens options, and a professional-grade build without piecing together separate components.
Variant
Body with NIKKOR Z 24-200mm F4-6.3 VR Lens, Body with NIKKOR Z 24-70mm F4 S Lens
Brand
Nikon
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