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Atomos Ninja V 5″ 4K HDMI On-Camera Recording Monitor
Original price was: ₹118,910.₹59,999Current price is: ₹59,999.
Out of stock
Highlights
- 1920 x 1080 Touchscreen Display
- Supports ProRes RAW with Select Cameras
- 4K HDMI 2.0 Input/Output
- Records to 2.5″ Mini or Standard SSDs
- 10-Bit Exterior Viewable Monitor
- Supports Multiple Log Formats
In The Box
- Ninja V
- 1 x Battery eliminator
- 1 x international DC power supply
- 1 x MasterCaddy II and QuickStart Guide
- Announced Date: 8 January 2020
*Disclaimer: Box content may vary with new stock
Atomos Ninja V 5″ 4K HDMI On-Camera Recording Monitor
Capture your vision with the Ninja V
The Ninja V takes all your creativity and brings it to life in the video you capture, regardless of whether you’re shooting cinematic productions, or vlogs for your social media channel. Whether you shoot HDR or regular SDR. Whether you use a professional cinema camera or a prosumer mirrorless camera.
Record like a Ninja
Ninja V is the ultimate field monitor for the on-the-go film and video creator that values capturing to high quality industry standard codecs like ProRes and ProRes RAW. The Ninja V’s state-of-the-art screen maintains clarity and color in the brightest of conditions and displays the widest dynamic range in HDR.
Compact Monitor-Recorder made perfect
The multi-award winning Atomos Ninja V features a stunningly bright 5.2” 10-bit HDR monitor with an astounding 1000nits of output. The sleek aluminium body is crafted for maximum durability, weighing in at just 360g and measuring only 25mm thick – easily attaching to any camera rig.
Ninja V & ProRes RAW
The number of cameras which now support RAW recording over HDMI on the Ninja V continues to grow. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. This format gives filmmakers enormous latitude when adjusting the look of their images, making it ideal for HDR workflows.
RAW over SDI Activation for Ninja V and AtomX SDI Module
Ninja V owners can now benefit from the ability to record RAW over SDI with compatible cameras using the AtomX SDI Module and paid upgrade of $99. The Activation Key for SDI RAW and HDMI RAW to SDI Video can be be purchased via your my.atomos.com account.
These new features bring even more versatility to the Ninja V, providing professional I/O options for a multitude of cameras – from entry level mirrorless cameras through to the latest compact cinema and high-end professional cameras. Read more about how the RAW over SDI Activation can expand your RAW eco-system and provide new and reliable solutions for all on-set and mutli-cam productions.
Ninja V Pro Kit | AtomOS 10.61
New AtomOS 10.61 also brings several new features to the Ninja V via our usual free updates. Existing Ninja V and AtomX SDI module owners will need to upgrade to AtomOS 10.61 before you are able to purchase and activate the RAW over SDI Activation Key.
Endless features
The Ninja V offers a huge range of features that can enhance your workflow, from AtomOS Monitor Assist features like Focus Peaking, Zoom, Vectorscopes & False Color through to Safe Areas, Cine Guides and our AtomHDR processing engine that allows realtime Log>PQ/HLG previewing and more. Take control of your production at capture with Atomos Ninja V.
Record 4K HDR Gaming
Ninja V is a stand-alone system for 4k UHD, HDR and high frame rate capture that eliminates expensive, complicated and unreliable PC setups. Ninja V enables simple recording, monitoring and instant review. Capture every detail in HDR and automatically include all the correct HDR flags ready for upload to YouTube. Ideal for games development testing, pre-release capture sessions or just to show off your skills!
Unlock the full potential of your camera with Ninja V
The diversity of codecs makes the Ninja V compatible with all major editing software packages. In terms of capture, virtually any HDMI or SDI source is supported, including cameras from Nikon, FujiFilm, Canon, Panasonic, Sony, Z-Cam, Olympus, RED and ARRI.
Learn, Inspire, Create.
Atomos Ninja V.
Features from Creators, tips from Pros and the latest innovations from Atomos.
Ninja V
Universally popular, Ninja V ticks more boxes for more filmmakers than any other 5” monitor on the market. And it will only get better.
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Specifications
Physical Specifications | |
---|---|
Dimensions (W x H x D mm) | 151 x 91.5 x 31 |
Weight | 360g / 12.7oz |
Mount points | 1 x Anti rotation 1/4″ / 3/8 top and bottom |
Environmental | |
Ambient operating temperature | Up to 40° C |
Construction and Control | |
Body | Aluminium with ABS plastic |
Cooling | Actively controlled fan and heat sink |
Tally light | Rear and front |
Multi-function button | Power / lock Screen |
AtomXpansion slot | Yes |
Power | |
Input voltage | 6.2V – 16.8V |
Operating power | 5.8V – 7.2V |
Compatible batteries | NPF L series |
Built in battery | No |
Battery Run time (Record) | 5200mAh – up to 2hrs (monitor & record 4K 60p)7800mAh – up to 3hrs (monitor & record 4K 60p) |
Continuous power | Via Optional AtomX SYNC Module |
DC in connector | Via DC Jack on Battery Eliminator |
Dtap | Via Battery Eliminator and optional DTap to DC cable |
Display | |
Touchscreen | SuperAtom IPS panel (capacitive touch) |
Size | 5.2″ |
Resolution | 1920 x 1080 |
PPI | 427 |
Bit depth | 10Bit (8+2 FRC) |
Backlight Type | Edge lit |
Brightness (cdm2 / nits) | 1000 |
Aspect ratio | 16:9 |
Color Gamut | Rec.709 |
Calibration support | Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail) |
Color Pipeline | |
Gamma | Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilmFlog, PQ (HDR10), HLG, Nikon N-Log |
Gamut | BT2020, DCI P3, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020Panasonic V GamutArri Alexa Wide GamutRec709JVC LS300Red DragonColor / DragonColor2 / RedColor2 /RedColor3 / RedColor4 / RedWideGamut |
3D LUT Display | .Cube Format |
3D LUT Down Stream | Loop out |
3DLUT 50/50 | Yes |
Monitoring Modes | Native / HLG / PQ / 3D LUT |
HDR output Conversion | Log / HDR to HLG / PQ / Dolby Vision |
Video Input | |
HDMI | 1 x HDMI (2.0) 4k p60 |
HDMI RAW | Apples ProRes RAW up to 6k |
SDI | Optional via AtomX SDI module |
Bit Depth | 8/10-bit Video / RAW up to 16-bit |
Video Chroma Subsampling | 4:2:2 |
HDCP copy protection | No supported |
Metadata | |
HDMI | RAW – white balance, exposure index, shutter speed/angle, iris F stop, ISO, gamma, gamut |
SDI | File name from Arri, RED |
Video Output | |
HDMI | 1 x HDMI (2.0) 4k p60 |
SDI loop out | Optional Via AtomX SDI module |
SDI Play out | Optional Via AtomX SDI module |
Video Chroma Subsampling | 4:2:2 |
Bit Depth | 10Bit Video / 12Bit RAW |
Web Streaming | |
USB UVC | Optional via Connect 4k |
Video Signal Conversion | |
HDMI to SDI | Optional Via AtomX SDI module |
SDI to HDMI | Optional Via AtomX SDI module |
Audio In/Out | |
Audio Quality | 24/48kHz |
Audio Codec | PCM |
HDMI | 8ch 24-bit, input dependent |
SDI | 12ch 24-bit, input dependent |
Analogue Audio in | 3.5mm 2ch. |
Headphone out | 3.5mm 2ch. |
Timecode / Sync | |
Embedded | HDMI and SDI |
Time of day | Yes, Time and Date |
LTC | via 3.5mm audio Jack input (requires post processing) |
Wireless SYNC | Via Optional AtomX SYNC Module |
Resolution and Frame Rates (Record, Monitor & Playback) | |
6k | RAW Only up to 30p via HDMI |
4k DCI | 23.98/24/25/29.9/30/50/59.94/60p |
4k UHD | 23.98/24/25/29.9/30/50/59.94/60p |
2K DCI 2046 x 1080 | Optional via AtomX SDI module |
Anamorphic | 3.5k: RAW up to 60p (from supported cameras only) |
FHD 1920 x 1080 Progressive | 23.98/24/25/29.9/30/50/59.94/60/100/120p |
FHD 1920 x 1080 PsF | converted to P and looped out PsF |
FHD 1920 x 1080 Interlaced | 23.98/24/25/29.9/30/50/59.94/60i |
1280 x 720p | 50/59.94/60p |
Recording CODEC | |
Apple ProRes RAW | ProRes RAW, HQ |
Apple ProRes | LT, 422, 422HQ |
Avid DNxHD | 220x, 220, 145, 36 |
Avid DNxHR | LB, SQ, HQ, HQX |
Playback | |
Playlist | Yes, Create customer play lists from full or sub clips |
Loop | Yes, with user customisable in / out markers |
Apple ProRes Raw | Yes, recorded clips |
Apple ProRes | Yes, with Linear PCM audio |
Avid DNx | Yes, with Linear PCM audio |
Recording functions | |
Pre-roll record | Yes (HD 8s, 4K 2s) – Not available in RAW |
Timelapse | Yes |
Multi Input / Switching | |
SDI A/B toggle | Via optional AtomX SDI module |
Supported media | |
Master Caddy I | Not compatible |
SSDmini | Native size and fit |
File Naming | Unit Name – Scene/Shot/Take |
File System | ExFAT |
On screen tools | |
Waveform | Yes, 3 size / position |
RGB parade | Yes, 3 size / position |
Vector scope | Yes, 2 size / position |
1 x Zoom | Yes. 1:1 Pixel mapping for 4k |
2 x Zoom | Yes |
Focus peaking | Colour selected / threshold setting / color / mono / edges only |
False colour | Yes, with scale |
Zebra | Yes, adjustable |
Isolate color channel | Blue Only |
Cine Frame Guides | 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
Social Frame guides | 9:16, 1:1, 191:1, 4:5 |
Safe areas | Action and Graphic |
Grid markers | 9 grid |
Anamorphic desqueeze | 1.25x 1.33x , 1.5x ,1.8x ,2x |
Display Flip | Vertical Only |
Onboard Signal Processing | |
Pulldown Removal | 24/25/30pSF > 24/25/30p (2:2 pulldown)60i > 24p (3:2 pulldown) |
4K UHD Downscale for HD | Loop out – 4K UHD to FHD |
DCI Crop | Loop out – 17:9 to 16:9 Crop |
Remote control | |
HDMI | Auto HDMI Trigger, Supported Protocols – Canon, Sony,Atomos Open Standard |
SDI | SDI trigger camera selectable |
Serial 2.5mm Jack | LANC control and calibration viaoptional USB to serial cable |
Bluetooth LE | Via optional AtomX SYNC module |
Wireless RF | Via optional AtomX SYNC module |
External Device Control | |
Serial 2.5mm Jack | Camera control for supported cameras via Optional USB to Serial Cable |
Bluetooth LE | Via optional AtomX SYNC module to compatible devices |
Wireless RF | Via optional AtomX SYNC module to compatible devices |
Supported Applications | |
XML | Cut tag EDL in FCPX XML |
Apple ProRes RAW | Apple FCP, Adobe Premiere, After Effects, Avid Media Composer, GrassValley Edius, Assimilate Scratch, Baselight Film Light. |
Video Codecs | All Applications with support for Apple ProRes and Avid DNX in .MOV wrapper |
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