{"title":"Cinema Cameras","description":"","products":[{"product_id":"blackmagic-design-pocket-cinema-camera-6k","title":"Blackmagic Design Pocket Cinema Camera 6K","description":"\u003ch2\u003eBlackmagic Design Pocket Cinema Camera 6K\u003c\/h2\u003e\n\u003cp\u003eFeaturing a larger 6144 x 3456 Super 35 sensor and EF lens mount, the Blackmagic Pocket Cinema Camera 6K lets you use larger EF photographic lenses to create cinematic images with shallower depth of field, allowing creative defocussed backgrounds and gorgeous bokeh effects! Extra resolution also gives you more room for reframing in editing and color correction. This means that you can shoot in 6K and then in post production zoom and re‑frame to allow wide shots and close ups to be created, all from a single camera and without losing image quality!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet the “Hollywood Look”with Digital Film!\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic Pocket Cinema Camera has the professional features needed for feature film, television programming and documentaries, however now these same features can be used to revolutionize other types of work such as blog videos, YouTube content and more. You get the same features found on expensive digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It’s the key reason why feature films look so amazing and now you can get these same high end production values for any kind of work. Imagine getting film quality on independent film, music videos, weddings, corporate videos, documentaries and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e\u003cbr\u003e\nThe elegant design of the Blackmagic Pocket Cinema Camera packs an incredible number of high end digital film features into a miniaturized, handheld design. Made from lightweight carbon fiber polycarbonate composite, the camera features a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it’s an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5 inch LCD makes it possible to get perfect focus at 4K and 6K resolutions. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls!\u003c\/strong\u003e\u003cbr\u003e\nThe multifunction handgrip features a comfortable and familiar design that puts important functions such as ISO, WB and shutter buttons right at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! You get additional controls that go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Pocket Cinema Camera features easy to reach recording and still buttons that are placed exactly where you expect them to be, including user assignable function keys and control buttons for high frame rate, focus zoom, menu operation, playback and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFingertip Shooting Controls\u003c\/strong\u003e\u003cbr\u003e\nThe front and top of the Blackmagic Pocket Cinema Camera features record start\/stop and still photo buttons along with dedicated controls for iris, ISO, white balance and shutter speed. The main power switch is located on the top next to a row of 3 customizable function buttons.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBack Panel Controls\u003c\/strong\u003e\u003cbr\u003e\nConveniently placed below the right thumb rest, you can quickly change shooting speed with the high frame rate button, zoom into the image with the magnifying glass, access setup menus and quickly play back shots for review.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Resolution Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003cbr\u003e\nThe Blackmagic Pocket Cinema Camera 4K features a native sensor resolution of 4096 x 2160, while the 6K model has a native resolution of 6144 x 3456. Whether you’re shooting in bright sunlight or in almost no light at all, both models feature 13 stops of dynamic range and dual native ISO up to 25,600 for stunning low noise images in all lighting conditions. Plus the 6K model’s larger Super 35 sensor allows shooting with a shallow depth of field and anamorphic lenses. Both models let you shoot up to 60 fps in full resolution or 120 fps windowed. When you combine the sensor with the latest Blackmagic Generation 4 Color Science, you get the same imaging technology as our most expensive digital film cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Cinema and Photographic Lenses!\u003c\/strong\u003e\u003cbr\u003e\nWith 2 models, you can chose between EF or MFT lenses, making Blackmagic Pocket Cinema Camera compatible with the largest range and most popular lenses in the world! The 6K model features an EF lens mount so you can use lenses you already own from other cameras such as DSLR, URSA Mini Pro or even the original Blackmagic Cinema Camera! You can use commonly available photographic lenses that provide incredible creative choice and wonderful feature film quality lens effects. The active lens mount lets you adjust focus and iris from the buttons on the camera or the touch screen. For even greater flexibility, the MFT lens mount on the 4K model can be adapted to PL, C, EF or other lens types!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003cbr\u003e\nThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Pocket Cinema Camera 4K and 6K both have an incredible 13 stops of dynamic range which means they preserve more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You even get more colors than the standard DCI‑P3 colorspace used for feature films. DaVinci Resolve Studio software is included with the camera, which means that you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003cbr\u003e\nIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Blackmagic Pocket Cinema Camera features dual gain ISO up to 25,600, which means both the 4K and 6K models are optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on‑set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting on the camera, so it’s easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003cbr\u003e\nDepending on the model, the Blackmagic Pocket Cinema Camera can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can also shoot still photos at 21.2 megapixels on the 6K model and 8.8 megapixels on the 4K model. The new 6K model will shoot up to 50 fps at 6144 x 3456 16:9 or 60 fps at 6144 x 2560 2.4:1 and 60 fps at 5744 x 3024 17:9. For higher frame rates you can window the sensor and shoot up to 120 fps at 2.8K 2868 x 1512 17:9. You can even work in true anamorphic 6:5 using anamorphic lenses in 3.7K 60 fps at 3624 x 3020. On the 4K model you can shoot up to 60 fps 4K DCI at 4096 x 2160 and 60 fps in Ultra HD at 3840 x 2160. You can even shoot 120 fps in 1080HD!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic Pocket Cinema Camera records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, or use the included DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats up to 4K or 12‑bit Blackmagic RAW in all formats up to 6K. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support into their applications. Best of all media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Standard SD Cards, UHS‑II or CFast 2.0 Media!\u003c\/strong\u003e\u003cbr\u003e\nThe Blackmagic Pocket Cinema Camera features built in CFast and SD UHS‑II card recorders, and a USB‑C expansion port for recording direct to an external media disk. You can use regular SD cards for HD or higher performance UHS‑II and CFast cards for native 4K or 6K when using Blackmagic RAW. Imagine capturing over an hour of full resolution 6K images on a single 256GB SD UHS‑II card! The ProRes and Blackmagic RAW files work with all video software. You can even mount the media cards on your computer and start editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Quality of RAW and the Speed of Video!\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Video formats such as H.264 are highly compressed, plus add noise and weird artifacts, causing original sensor detail to be lost forever. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColor Temperature\u003c\/strong\u003e\u003cbr\u003e\nSetting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContrast\u003c\/strong\u003e\u003cbr\u003e\nAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eISO\u003c\/strong\u003e\u003cbr\u003e\nChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTint\u003c\/strong\u003e\u003cbr\u003e\nAdjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSaturation\u003c\/strong\u003e\u003cbr\u003e\nSaturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExposure\u003c\/strong\u003e\u003cbr\u003e\nIn order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge 5″ Touchscreen for Fast and Accurate Focus\u003c\/strong\u003e\u003cbr\u003e\nThe rear of the Blackmagic Pocket Cinema Camera features a large, bright 5 inch touchscreen that makes it easy for you to frame shots and accurately focus. That means you don’t have to carry around an external monitor or viewfinder. It’s like getting a built in Blackmagic Video Assist with your camera! The touchscreen displays critical information while you’re shooting, menus for setting up the camera and intuitive touch to focus controls. On screen overlays show status, a histogram, focus and peaking indicators, levels, frame guides, playback controls and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look, or you can choose to bake it into the recorded footage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Advanced OS with Features from URSA Mini Pro!\u003c\/strong\u003e\u003cbr\u003e\nWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003cbr\u003e\nThough small and portable, the Blackmagic Pocket Cinema Camera features a wide range of connections for audio, monitoring, power and more. The camera includes a full size HDMI connector for monitoring with support for HDR and clean 10‑bit output. That means you can connect an HDMI display or television for on set monitoring of images, with or without overlays that show critical information and camera status. There’s also a mini XLR connection with 48 volt phantom power for attaching professional microphones, a 3.5 mm video camera style microphone input, headphone connection and a professional locking DC power connector! The USB‑C connection lets you connect and record direct to your media disk!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4 Built‑in Microphones and Professional Audio Inputs Audio Detail\u003c\/strong\u003e\u003cbr\u003e\nWith professional, high fidelity audio recording built in you’ll never have to carry around a separate sound recorder again! Both Blackmagic Pocket Cinema Camera models feature a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The four built in microphones have an extremely low noise floor and are shock and wind resistant, allowing you to capture great sound in any location. There’s also a 3.5mm audio input for connecting video camera style microphones, along with a built in speaker for playback and a 3.5mm headphone jack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB‑C for Recording Direct to External Media Disks\u003c\/strong\u003e\u003cbr\u003e\nThe Blackmagic Pocket Cinema Camera features an innovative and high speed USB‑C Expansion Port that operates at up to 5 Gb\/s. USB‑C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and SSDs for significantly longer recording times. A high speed external disk allows shooting 6K in the highest constant quality 12‑bit Blackmagic RAW in the Q0 setting or at high frame rates. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk, eliminating file copying.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt‑In Timecode Generator Get Fast Multi Camera Shoots in Perfect Sync!\u003c\/strong\u003e\u003cbr\u003e\nProfessional cameras include professional features and you also get a built in timecode generator, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator such as Tentacle Sync into the 3.5 mm audio jack and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all the new DaVinci Resolve 16.1 will automatically find and sync the shots from all cameras so you don’t need to waste time sorting through thousands of shots!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShoot Still Frames up to 21.2 Megapixels!\u003c\/strong\u003e\u003cbr\u003e\nIn addition to shooting video, the Blackmagic Pocket Cinema Camera can also capture high resolution stills. Simply press the dedicated stills button to record 21.2 megapixel images on the 6K model or 8 megapixel images on the 4K model. Still images are saved as fully uncompressed DNG frames, so you get the maximum image quality, which is perfect for making professional prints. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003cbr\u003e\nIf you’re positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower from Batteries and 12V DC or Recharge via USB‑C!\u003c\/strong\u003e\u003cbr\u003e\nThe Blackmagic Pocket Cinema Camera uses standard removable LP‑E6 type batteries and also features a locking DC power connector so you never have to worry about losing power in the middle of a shoot. The included AC plug pack can power the camera and charge the battery at the same time. You also get a set of international socket adapters so you can travel and use it worldwide. The USB‑C expansion port can also be used to charge the battery from portable battery packs, mobile phone chargers or a laptop computer. You can even add an optional Blackmagic Pocket Battery Grip that lets you use 2 batteries to dramatically extend the power of the camera. That’s the widest range of power options so you can shoot all day!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio Get Professional Editing, Color Correction, Audio Post and VFX!\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic Pocket Cinema Camera 4K and 6K models include a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features a revolutionary new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the same high end software that professional editors and colorists use!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTags:\u003c\/strong\u003e Blackmagic Pocket Cinema Camera 6K, Blackmagic Pocket Cinema Camera, Pocket Cinema Camera 6K, Blackmagic Pocket Cinema Camera 6K Best Price in India, Blackmagic Pocket Cinema Camera 6K Online Buy, Blackmagic Pocket Cinema Camera 6K Online Buy Mumbai India\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51203573285140,"sku":null,"price":198990.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Blackmagic-Design-Pocket-Cinema-Camera-6K-for-Canon-EF-Mount-Online-Buy-Mumbai-India.jpg?v=1755777683"},{"product_id":"sony-fx-3-full-frame-cinema-camera","title":"Sony FX-3 Full Frame Cinema Camera","description":"\u003ch2\u003eSony FX-3 Full Frame Cinema Camera\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eFull-frame image capture even in dim light\u003c\/strong\u003e\u003cbr\u003e\nThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide dynamic range, wider creative expression\u003c\/strong\u003e\u003cbr\u003e\nThe FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003c\/strong\u003e\u003cbr\u003e\nCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic colour science of S-Cinetone™\u003c\/strong\u003e\u003cbr\u003e\nS-Cinetone colour, developed for Sony's acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K 120fps with every frame in focus\u003c\/strong\u003e\u003cbr\u003e\nEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit S-Log3 and HDR recording for smooth gradations\u003c\/strong\u003e\u003cbr\u003e\nS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW HDMI output\u003c\/strong\u003e\u003cbr\u003e\nFor demanding post-production workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K or XAVC S-I 4K and proxy files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnjoy rich detail and realistic colour\u003c\/strong\u003e\u003cbr\u003e\nThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.\u003c\/p\u003e\n\u003cp\u003e[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003c\/strong\u003e\u003cbr\u003e\nThe wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSophisticated tracking AF for steady focus\u003c\/strong\u003e\u003cbr\u003e\nSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmooth transitions and touch focus control\u003c\/strong\u003e\u003cbr\u003e\nThe FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-performance E-mount lenses for movies\u003c\/strong\u003e\u003cbr\u003e\nExperience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for tough cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support creative endeavours.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-mobility performance wherever you go\u003c\/strong\u003e\u003cbr\u003e\nWith its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttachable XLR handle\u003c\/strong\u003e\u003cbr\u003e\nA handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-camera image stabilisation\u003c\/strong\u003e\u003cbr\u003e\nActive Mode is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.\u003c\/p\u003e\n\u003cp\u003e[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage stabilisation and easier editing with Catalyst\u003c\/strong\u003e\u003cbr\u003e\nCamera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse \/ Catalyst Prepare desktop application you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpandability and operability for content creators\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFront and rear tally lamps\u003c\/strong\u003e\u003cbr\u003e\nTally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVari-angle LCD touch-panel monitor\u003c\/strong\u003e\u003cbr\u003e\nThe 3.0-type (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssential controls for efficient solo shooting\u003c\/strong\u003e\u003cbr\u003e\nIn addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K\/60p recording\u003c\/strong\u003e\u003cbr\u003e\nFor uninterrupted 4K\/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003c\/strong\u003e\u003cbr\u003e\nIn addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual high-speed media slots\u003c\/strong\u003e\u003cbr\u003e\nDesigned for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote camera control and network transfer\u003c\/strong\u003e\u003cbr\u003e\nA network connection, via Wi-Fi® or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote preview, shooting and streaming\u003c\/strong\u003e\u003cbr\u003e\nEither wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eCompact Form for Cage-Free Operation\u003c\/li\u003e\n\u003cli\u003eDetachable 2 x XLR\/TRS Adapter Handle\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Sony India 2 Years Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCAMERA TYPE:\u003c\/strong\u003e Interchangeable lens digital camera\u003cbr\u003e\n\u003cstrong\u003eLENS MOUNT:\u003c\/strong\u003e E-mount\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSize \u0026amp; Weight\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWEIGHT (MAIN UNIT ONLY) (APPROX.):\u003c\/strong\u003e 715 g (1 lb 9.3 oz) (with battery and memory card included), 640 g (1 lb 6.6 oz) (body only)\u003cbr\u003e\n\u003cstrong\u003eWEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.):\u003c\/strong\u003e 1.015 kg　(2　lb　3.8 oz) (with XLR Handle, battery pack, SD card)\u003cbr\u003e\n\u003cstrong\u003eDIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.):\u003c\/strong\u003e 1.015 kg　(2　lb　3.8 oz) (with XLR Handle, battery pack, SD card)\u003cbr\u003e\n\u003cstrong\u003eDIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)\u003c\/strong\u003e: 129.7 mm x 77.8 mm x 84.5 mm (5.11 x 3.06 x 3.33) (body without protrusions)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003ePOWER CONSUMPTION:\u003c\/strong\u003e [Movie] Approx. 7.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)\u003cbr\u003e\n\u003cstrong\u003eBATTERY OPERATING TIME:\u003c\/strong\u003e Approx. 95 min (Actual recording, CIPA standard)　, Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperation\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eOPERATING TEMPERATURE:\u003c\/strong\u003e 0 °C to 40 °C (32 °F to 104 °F)\u003cbr\u003e\n\u003cstrong\u003eSTORAGE TEMPERATURE:\u003c\/strong\u003e –20 °C to +55 °C (–4 °F to +131 °F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Format (Video)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eXAVC HS\u003c\/strong\u003e\u003cbr\u003e\n[XAVC HS 4K] XAVC HS 4K 59.94p\/50p 200 Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p 150 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p\/23.98p 100 Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p 75 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p 45 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 100 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 50 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p 30 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p 280Mbps 4:2:2 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p 200 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265\u003cbr\u003e\n\u003cstrong\u003eXAVC S\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S 4K] XAVC S 4K 59.94p\/50p 200 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 59.94p\/50p 150 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p 140 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 23.98p 100 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p 100 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p 60 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p 280 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p 200 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, [XAVC S HD] XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p 50 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p 50 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p 25 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC HD 29.97p\/25p 16 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p 100 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p 60 Mbps 4:2:0 8bit MPEG-4 AVC \/ H.264,\u003cbr\u003e\n\u003cstrong\u003eXAVC S-I\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S-I 4K] XAVC S-I 4K 59.94p 600 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 50p 500 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 29.97p 300 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 25p 250 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 23.98p 240 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 50p 185 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 29.97p 111 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 25p 93 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264, XAVC S-I HD 23.98p 89 Mbps 4:2:2 10bit MPEG-4 AVC \/ H.264,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Format (Audio)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eRECORDING FORMAT (AUDIO):\u003c\/strong\u003e LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording Frame Rate\u003c\/strong\u003e\u003cbr\u003e\nXAVC HS: [XAVC HS 4K] 3840 x 2160\/119.88p, 100p, 59.94p, 50p, 23.98p\u003cbr\u003e\nXAVC S: [XAVC S 4K] 3840 x 2160\/119.88p, 100p, 59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080\/59.94p, 50p, 29.97p, 25p, 23.98p\u003cbr\u003e\nXAVC S-I: [XAVC S-I 4K] 3840 x 2160\/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920 x 1080\/59.94p, 50p, 29.97p, 25p, 23.98p,\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording\/Playback Time\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eXAVC HS\u003c\/strong\u003e\u003cbr\u003e\n[XAVC HS 4K] 59.94p\/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p\/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p\/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p\/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes, 59.94p\/50p 45M When using CEA-G160T (160 GB) Approx. 340 minutes, When using CEA-G80T (80 GB) Approx. 160 minutes\u003cbr\u003e\n\u003cstrong\u003eXAVC S\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S 4K] 59.94p\/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p\/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p\/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p\/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 390 minutes\u003cbr\u003e\n\u003cstrong\u003eXAVC S-I\u003c\/strong\u003e\u003cbr\u003e\n[XAVC S-I 4K] XAVC S-I 4K 59.94p\/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p\/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes\u003cbr\u003e\n\u003cstrong\u003ePROXY AUDIO:\u003c\/strong\u003e XAVC Proxy: AAC-LC, 128 kbps, 2 channels\u003cbr\u003e\n\u003cstrong\u003ePROXY VIDEO:\u003c\/strong\u003e 1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRAW Output\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eRAW OUTPUT:\u003c\/strong\u003e HDMI: 4264 x 2408 (59.94p\/50p\/29.97p\/25p\/23.98p), 16bit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOther Video Function\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eVIDEO FUNCTIONS\u003c\/strong\u003e: Audio Level Display, Audio Rec Level, TC\/UB, Creative Look, Gamma Display Assist, PAL\/NTSC Selector\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera Section\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSENSOR TYPE:\u003c\/strong\u003e 35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor\u003cbr\u003e\n\u003cstrong\u003ePIXELS:\u003c\/strong\u003e Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)\u003cbr\u003e\n\u003cstrong\u003eSENSITIVITY:\u003c\/strong\u003e [Movie] ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit), [Still image] ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80–12800, selectable lower limit and upper limit)\u003cbr\u003e\nSHUTTER SPEED: Movie: 1\/8000 to 1\/4 (1\/3 steps), up to 1\/60 in AUTO mode (up to 1\/30 in Auto slow shutter mode) Still image: 1\/8000 to 30 s, Bulb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSlow \u0026amp; Quick Motion\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eXAVC HS\u003c\/strong\u003e\u003cbr\u003e\nXAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps\u003cbr\u003e\n\u003cstrong\u003eXAVC S\u003c\/strong\u003e\u003cbr\u003e\nXAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps\u003cbr\u003e\n\u003cstrong\u003eXAVC S-I\u003c\/strong\u003e\u003cbr\u003e\nXAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eWHITE-BALANCE MODES:\u003c\/strong\u003e Auto \/ Daylight \/ Shade \/ Cloudy \/ Incandescent \/ Fluorescent \/ Flash \/ Underwater \/ Colour Temperature (2500 to 9900K) \u0026amp; colour filter \/ Custom\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eGamma\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eGAMMA CURVE:\u003c\/strong\u003e Off \/ PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLatitude\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eLATITUDE:\u003c\/strong\u003e 15+ stop (S-Log3)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFocus System\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTYPE:\u003c\/strong\u003e Fast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003cbr\u003e\n\u003cstrong\u003eFOCUS POINT:\u003c\/strong\u003e [Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)\u003cbr\u003e\n\u003cstrong\u003eSENSITIVITY RANGE:\u003c\/strong\u003e EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)\u003cbr\u003e\n\u003cstrong\u003eFOCUS MODE:\u003c\/strong\u003e [Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus\u003cbr\u003e\n\u003cstrong\u003eFOCUS AREA:\u003c\/strong\u003e [Movie] Wide \/ Zone \/ Centre \/ Flexible Spot \/ Expanded Flexible Spot, [Still image] Wide \/ Zone \/ Centre \/ Flexible Spot \/ Expanded Flexible Spot \/ Tracking\u003cbr\u003e\n\u003cstrong\u003eOTHER FOCUS FEATURES:\u003c\/strong\u003e Eye AF ([Movie] Human (Right\/Left Eye Select), ([Still image] Human (Right\/Left Eye Select) \/ Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x \/ 4.1x, APS-C: 1.5x \/ 3.0x)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExposure Control\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eMETERING SENSITIVITY:\u003c\/strong\u003e EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)\u003cbr\u003e\nEXPOSURE MODES: [Movie] Programmed AE (P) \/ Aperture priority (A) \/ Shutter-speed priority (S) \/ Manual (M) \/ Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRecording (Still image)\u003c\/strong\u003e\u003cbr\u003e\nRECORDING FORMAT: JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)\u003cbr\u003e\nIMAGE SIZE: Image size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePlayback\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003ePLAYBACK FUNCTIONS:\u003c\/strong\u003e Index view, Folder selection (Date \/ Still \/ Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterface\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eAUDIO INPUT:\u003c\/strong\u003e 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR\/TRS-type 3-pin (female) (x2), line\/mic\/mic +48 V selectable, Mic Reference –40 to –60 dBu \/ [INPUT3] 3.5 mm Stereo minijack)\u003cbr\u003e\n\u003cstrong\u003eUSB:\u003c\/strong\u003e USB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi\/Micro USB (x1)\u003cbr\u003e\n\u003cstrong\u003eHEADPHONE OUTPUT:\u003c\/strong\u003e Yes (3.5 mm Stereo minijack)\u003cbr\u003e\n\u003cstrong\u003eSPEAKER OUTPUT:\u003c\/strong\u003e Built-in, monaural\u003cbr\u003e\n\u003cstrong\u003eHDMI OUTPUT:\u003c\/strong\u003e HDMI jack (Type-A), YCbCr 4:2:2 10 bit \/ RGB 8 bit\u003cbr\u003e\n\u003cstrong\u003eMULTI INTERFACE SHOE:\u003c\/strong\u003e With Digital Audio Interface\u003cbr\u003e\n\u003cstrong\u003eBLUETOOTH®:\u003c\/strong\u003e Bluetooth Standard Ver. 5.0 (2.4 GHz band)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMonitoring\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eLCD:\u003c\/strong\u003e 7.5 cm (3.0-type) type, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBuilt-in Microphone\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eBUILT-IN MICROPHONE:\u003c\/strong\u003e Built-in, stereo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eMEDIA TYPE:\u003c\/strong\u003e CFexpress Type A \/ SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFile System\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFILE SYSTEM:\u003c\/strong\u003e FAT12, 16, 32, exFAT\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZoom\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eZOOM FUNCTION:\u003c\/strong\u003e Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStill image function\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSHUTTER:\u003c\/strong\u003e Mechanical shutter \/ Electronic shutter\u003cbr\u003e\n\u003cstrong\u003eDRIVE MODES:\u003c\/strong\u003e Single Shooting, Continuous shooting (Hi+\/Hi\/Mid\/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket\u003cbr\u003e\n\u003cstrong\u003eCONTINUOUS SHOOTING SPEED:\u003c\/strong\u003e Hi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps\u003cbr\u003e\n\u003cstrong\u003eNOISE REDUCTION:\u003c\/strong\u003e Long exposure NR: On \/ Off, available at shutter speeds longer than 1 s, High ISO NR: Normal \/ Low \/ Off\u003cbr\u003e\n\u003cstrong\u003eFLASH CONTROL:\u003c\/strong\u003e Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1\/250 s.\u003cbr\u003e\n\u003cstrong\u003eOTHER STILL IMAGE FUNCTION:\u003c\/strong\u003e Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot .\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTYPE:\u003c\/strong\u003e Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)\u003cbr\u003e\n\u003cstrong\u003eMODE:\u003c\/strong\u003e [Movie] Active \/ Standard \/ Off, [Still image] On \/ Off\u003cbr\u003e\n\u003cstrong\u003eCOMPENSATION EFFECT (STILL IMAGES):\u003c\/strong\u003e 5.5 stops (based on CIPA standard. Pitch\/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCustom Function\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCUSTOM FUNCTION:\u003c\/strong\u003e Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLens Compensation\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eLENS COMPENSATION:\u003c\/strong\u003e Peripheral Shading, Chromatic Aberration, Distortion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWi-Fi\/NFC\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSUPPORTED FORMAT:\u003c\/strong\u003e IEEE 802.11a\/b\/g\/n\/ac\u003cbr\u003e\n\u003cstrong\u003eFREQUENCY BAND:\u003c\/strong\u003e 2.4 GHz band\/5 GHz band\u003cbr\u003e\n\u003cstrong\u003eSECURITY:\u003c\/strong\u003e WEP\/WPA-PSK\/WPA2-PSK\u003cbr\u003e\n\u003cstrong\u003eNFC:\u003c\/strong\u003e NFC Forum Type 3 Tag compliant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFTP Transfer\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFTP TRANSFER:\u003c\/strong\u003e Wired LAN (USB-LAN), USB Tethering, Wi-Fi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003eFAQs\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e1. What are the key features of the Sony FX-3 Full Frame Cinema Camera?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX-3 offers features like full-frame 4K video recording, exceptional low-light performance, a compact and lightweight design, and professional-level creative controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. What sets the Sony FX-3 apart for filmmakers?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX-3 is designed specifically for filmmakers, with features like S-Cinetone color profile, 10-bit 4:2:2 recording, dual native ISO, and advanced autofocus capabilities.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. Can I use my existing E-mount lenses with the Sony FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX-3 is compatible with a wide range of E-mount lenses, providing flexibility and creative options for different shooting scenarios.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4. How does the dual native ISO benefit low-light shooting?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe dual native ISO technology in the Sony FX-3 allows for excellent low-light performance by reducing noise and preserving image quality in challenging lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. Does the camera support external recording options?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX-3 features HDMI output for external recording, making it suitable for professional workflows and multi-camera setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6. What is the battery life like on the Sony FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera offers an extended battery life, making it suitable for long shooting sessions. You can also use a compatible power bank for continuous power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7. Are there any specialized accessories available for the FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSony offers a range of accessories such as handles, cages, and viewfinders designed to enhance the usability and versatility of the Sony FX-3 Cinema Camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8. Can I shoot in different frame rates with the FX-3?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX-3 supports a variety of frame rates, including cinematic 24p and higher frame rates for creative slow-motion shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9. What is the advantage of the compact and lightweight design?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact and lightweight design of the Sony FX-3 makes it highly portable and suitable for handheld and gimbal-mounted shooting, ensuring maximum flexibility on set.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51203636658452,"sku":"ILME-FX3","price":405990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Sony-FX-3-Full-Frame-Cinema-Camera-Online-Buy-Mumbai-India.jpg?v=1755779832"},{"product_id":"blackmagic-design-pocket-cinema-camera-6k-pro-canon-ef","title":"Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF)","description":"\u003ch2 class=\"product_title entry-title\"\u003eBlackmagic Design Pocket Cinema Camera 6K Pro (Canon EF)\u003c\/h2\u003e\n\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTags:\u003c\/strong\u003e Blackmagic Design Pocket Cinema Camera 6K Pro (Canon EF), Blackmagic Pocket Cinema Camera 6K Pro, Pocket Cinema Camera 6K Pro, Blackmagic Design Pocket Cinema Camera 6K Pro Best Price in India, Blackmagic Design Pocket Cinema Camera 6K Pro Online Buy, Blackmagic Design Pocket Cinema Camera 6K Pro Online Buy Mumbai India\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eEffective Sensor Size\u003c\/strong\u003e\u003cbr\u003e\n23.10mm x 12.99mm (Super 35)\u003cbr\u003e\n\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003cbr\u003e\nActive EF mount.\u003cbr\u003e\n\u003cstrong\u003eLens Control\u003c\/strong\u003e\u003cbr\u003e\nIris, focus and zoom on supported lenses.\u003cbr\u003e\n\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003cbr\u003e\n13 Stops.\u003cbr\u003e\n\u003cstrong\u003eDual Native ISO\u003c\/strong\u003e\u003cbr\u003e\n400 and 3200\u003cbr\u003e\n\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\u003cbr\u003e\n6144 x 3456 (6K) up to 50 fps\u003cbr\u003e\n6144 x 2560 (6K 2.4:1) up to 60 fps\u003cbr\u003e\n5744 x 3024 (5.7K 17:9) up to 60 fps\u003cbr\u003e\n4096 x 2160 (4K DCI) up to 60 fps\u003cbr\u003e\n3840 x 2160 (Ultra HD) up to 60 fps\u003cbr\u003e\n3728 x 3104 (3.7K 6:5 anamorphic) up to 60 fps\u003cbr\u003e\n2868 x 1512 (2.8K 17:9) up to 120 fps\u003cbr\u003e\n1920 x 1080 (HD) up to 120 fps\u003cbr\u003e\n\u003cstrong\u003eFrame Rates\u003c\/strong\u003e\u003cbr\u003e\nMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003cbr\u003e\nOff-speed frame rates up to 60 fps in 6K 2.4:1, 120 fps in 2.8K 17:9 and 1080HD.\u003cbr\u003e\n\u003cstrong\u003eBuilt in ND Filters\u003c\/strong\u003e\u003cbr\u003e\nFour position ND filter with clear, 2‑stop, 4‑stop and 6‑stop IR ND filters.\u003cbr\u003e\n\u003cstrong\u003eFocus\u003c\/strong\u003e\u003cbr\u003e\nAuto focus available using compatible lenses.\u003cbr\u003e\n\u003cstrong\u003eIris Control\u003c\/strong\u003e\u003cbr\u003e\nIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003cbr\u003e\n\u003cstrong\u003eScreen Dimensions\u003c\/strong\u003e\u003cbr\u003e\n5” 1920 x 1080.\u003cbr\u003e\n\u003cstrong\u003eScreen Brightness\u003c\/strong\u003e\u003cbr\u003e\n1500nits\u003cbr\u003e\n\u003cstrong\u003eScreen Type\u003c\/strong\u003e\u003cbr\u003e\nLCD capacitive touchscreen.\u003cbr\u003e\n\u003cstrong\u003eMetadata Support\u003c\/strong\u003e\u003cbr\u003e\nAutomatically populated lens data from electronic EF lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003cbr\u003e\n\u003cstrong\u003eControls\u003c\/strong\u003e\u003cbr\u003e\nTouchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 2 x ND filter button, 1 x Focus Button, 1 x IRIS Button, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button and 1 x Playback Button.\u003cbr\u003e\n\u003cstrong\u003eTimecode Clock\u003c\/strong\u003e\u003cbr\u003e\nHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eTotal Video Inputs\u003c\/strong\u003e\u003cbr\u003e\nNone\u003cbr\u003e\n\u003cstrong\u003eTotal Video Outputs\u003c\/strong\u003e\u003cbr\u003e\n1 x HDMI up to 1080p60\u003cbr\u003e\n\u003cstrong\u003eAnalog Audio Inputs\u003c\/strong\u003e\u003cbr\u003e\n2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input.\u003cbr\u003e\nAll audio inputs can also be used for Timecode input.\u003cbr\u003e\n\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\u003cbr\u003e\n1 x 3.5mm headphone jack.\u003cbr\u003e\n\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\u003cbr\u003e\nUSB Type-C for external drive recording, PTP camera control and software updates.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eMicrophone\u003c\/strong\u003e\u003cbr\u003e\nIntegrated stereo microphone.\u003cbr\u003e\n\u003cstrong\u003eBuilt in Speaker\u003c\/strong\u003e\u003cbr\u003e\n1 x mono speaker.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSD Video Standards\u003c\/strong\u003e\u003cbr\u003e\nNone\u003cbr\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\u003cbr\u003e\n1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003cbr\u003e\n\u003cstrong\u003eUltra HD Video Standards\u003c\/strong\u003e\u003cbr\u003e\n2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003cbr\u003e\n\u003cstrong\u003e4K DCI Standards\u003c\/strong\u003e\u003cbr\u003e\n4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eMedia\u003c\/strong\u003e\u003cbr\u003e\n1 x CFast card slot, 1 x SD UHS‑II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.\u003cbr\u003e\n\u003cstrong\u003eMedia Format\u003c\/strong\u003e\u003cbr\u003e\nCan format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eCodecs\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic RAW Constant Bitrate 3:1,\u003cbr\u003e\nBlackmagic RAW Constant Bitrate 5:1,\u003cbr\u003e\nBlackmagic RAW Constant Bitrate 8:1,\u003cbr\u003e\nBlackmagic RAW Constant Bitrate 12:1,\u003cbr\u003e\nBlackmagic RAW Constant Quality Q0,\u003cbr\u003e\nBlackmagic RAW Constant Quality Q1,\u003cbr\u003e\nBlackmagic RAW Constant Quality Q3,\u003cbr\u003e\nBlackmagic RAW Constant Quality Q5,\u003cbr\u003e\nProRes 422 HQ QuickTime,\u003cbr\u003e\nProRes 422 QuickTime,\u003cbr\u003e\nProRes 422 LT QuickTime,\u003cbr\u003e\nProRes 422 Proxy QuickTime.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003cbr\u003e\niPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Corrector\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eColor Corrector\u003c\/strong\u003e\u003cbr\u003e\nDaVinci YRGB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Features\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eStorage Type\u003c\/strong\u003e\u003cbr\u003e\n1 x CFast 2.0.\u003cbr\u003e\n1 x SD UHS-II card.\u003cbr\u003e\n1 x high speed USB-C expansion port for external media.\u003cbr\u003e\n\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at 6144 x 3456, 6144 x 2560, 5744 x 3024, 4096 x 2160, 3728 x 3104 and 2868 x 1512 with film, extended video, video dynamic range or custom 3D LUT embedded in metadata.\u003cbr\u003e\nProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.\u003cbr\u003e\n\u003cstrong\u003eStorage Rates\u003c\/strong\u003e\u003cbr\u003e\nStorage rates based on 30 frames per second.\u003cbr\u003e\n6144 x 3456 (6K)\u003cbr\u003e\nBlackmagic RAW 3:1 - 323 MB\/s\u003cbr\u003e\nBlackmagic RAW 5:1 - 194 MB\/s\u003cbr\u003e\nBlackmagic RAW 8:1 - 121 MB\/s\u003cbr\u003e\nBlackmagic RAW 12:1 - 81 MB\/s\u003cbr\u003e\nBlackmagic RAW Q0 - 242 to 483 MB\/s\u003cbr\u003e\nBlackmagic RAW Q1 - 162 to 387 MB\/s\u003cbr\u003e\nBlackmagic RAW Q3 - 108 to 277 MB\/s\u003cbr\u003e\nBlackmagic RAW Q5 - 65 to 162 MB\/s\u003cbr\u003e\n6144 x 2560 (6K 2.4:1)\u003cbr\u003e\nBlackmagic RAW 3:1 - 240 MB\/s\u003cbr\u003e\nBlackmagic RAW 5:1 - 144 MB\/s\u003cbr\u003e\nBlackmagic RAW 8:1 - 90 MB\/s\u003cbr\u003e\nBlackmagic RAW 12:1 - 60 MB\/s\u003cbr\u003e\nBlackmagic RAW Q0 - 180 to 359 MB\/s\u003cbr\u003e\nBlackmagic RAW Q1 - 120 to 287 MB\/s\u003cbr\u003e\nBlackmagic RAW Q3 - 80 to 205 MB\/s\u003cbr\u003e\nBlackmagic RAW Q5 - 49 to 120 MB\/s\u003cbr\u003e\n5744 x 3024 (5.7K 17:9)\u003cbr\u003e\nBlackmagic RAW 3:1 - 264 MB\/s\u003cbr\u003e\nBlackmagic RAW 5:1 - 159 MB\/s\u003cbr\u003e\nBlackmagic RAW 8:1 - 100 MB\/s\u003cbr\u003e\nBlackmagic RAW 12:1 - 67 MB\/s\u003cbr\u003e\nBlackmagic RAW Q0 - 198 to 396 MB\/s\u003cbr\u003e\nBlackmagic RAW Q1 - 133 to 317 MB\/s\u003cbr\u003e\nBlackmagic RAW Q3 - 89 to 227 MB\/s\u003cbr\u003e\nBlackmagic RAW Q5 - 54 to 133 MB\/s\u003cbr\u003e\n4096 x 2160 (4K DCI)\u003cbr\u003e\nBlackmagic RAW 3:1 - 136 MB\/s\u003cbr\u003e\nBlackmagic RAW 5:1 - 82 MB\/s\u003cbr\u003e\nBlackmagic RAW 8:1 - 51 MB\/s\u003cbr\u003e\nBlackmagic RAW 12:1 - 35 MB\/s\u003cbr\u003e\nBlackmagic RAW Q0 - 102 to 203 MB\/s\u003cbr\u003e\nBlackmagic RAW Q1 - 68 to 163 MB\/s\u003cbr\u003e\nBlackmagic RAW Q3 - 46 to 116 MB\/s\u003cbr\u003e\nBlackmagic RAW Q5 - 28 to 68 MB\/s\u003cbr\u003e\nApple ProRes 422 HQ - 117.88 MB\/s\u003cbr\u003e\nApple ProRes 422 - 78.63 MB\/s\u003cbr\u003e\nApple ProRes 422 LT - 54.63 MB\/s\u003cbr\u003e\nApple ProRes Proxy - 24.25 MB\/s\u003cbr\u003e\n3840 x 2160 (Ultra HD)\u003cbr\u003e\nApple ProRes 422 HQ - 110 MB\/s\u003cbr\u003e\nApple ProRes 422 - 73.6 MB\/s\u003cbr\u003e\nApple ProRes 422 LT - 51 MB\/s\u003cbr\u003e\nApple ProRes Proxy - 22.4 MB\/s\u003cbr\u003e\n3728 x 3104 (3.7K 6:5 anamorphic)\u003cbr\u003e\nBlackmagic RAW 3:1 - 177 MB\/s\u003cbr\u003e\nBlackmagic RAW 5:1 - 106 MB\/s\u003cbr\u003e\nBlackmagic RAW 8:1 - 67 MB\/s\u003cbr\u003e\nBlackmagic RAW 12:1 - 45 MB\/s\u003cbr\u003e\nBlackmagic RAW Q0 - 133 to 265 MB\/s\u003cbr\u003e\nBlackmagic RAW Q1 - 89 to 212 MB\/s\u003cbr\u003e\nBlackmagic RAW Q3 - 60 to 152 MB\/s\u003cbr\u003e\nBlackmagic RAW Q5 - 36 to 89 MB\/s\u003cbr\u003e\n2868 x 1512 (2.8K 17:9)\u003cbr\u003e\nBlackmagic RAW 3:1 - 67 MB\/s\u003cbr\u003e\nBlackmagic RAW 5:1 - 41 MB\/s\u003cbr\u003e\nBlackmagic RAW 8:1 - 26 MB\/s\u003cbr\u003e\nBlackmagic RAW 12:1 - 17 MB\/s\u003cbr\u003e\nBlackmagic RAW Q0 - 51 to 101 MB\/s\u003cbr\u003e\nBlackmagic RAW Q1 - 34 to 81 MB\/s\u003cbr\u003e\nBlackmagic RAW Q3 - 23 to 58 MB\/s\u003cbr\u003e\nBlackmagic RAW Q5 - 14 to 34 MB\/s\u003cbr\u003e\n1920 x 1080\u003cbr\u003e\nApple ProRes 422 HQ - 27.5 MB\/s\u003cbr\u003e\nApple ProRes 422 - 18.4 MB\/s\u003cbr\u003e\nApple ProRes 422 LT - 12.75 MB\/s\u003cbr\u003e\nApple ProRes Proxy - 5.6 MB\/s\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSoftware Included\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic OS\u003cbr\u003e\nDaVinci Resolve Studio for Mac and Windows including activation key\u003cbr\u003e\nBlackmagic Camera Setup\u003cbr\u003e\nBlackmagic RAW Player\u003cbr\u003e\nBlackmagic RAW QuickLook Plugin\u003cbr\u003e\nBlackmagic RAW SDK\u003cbr\u003e\nBlackmagic RAW Speed Test\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003cbr\u003e\nMac 10.15 Catalina,\u003cbr\u003e\nMac 11.1 Big Sur or later.\u003cbr\u003e\nWindows 10 and 11.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e\u003cbr\u003e\n1 x External 12V power supply.\u003cbr\u003e\n\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\u003cbr\u003e\n1 x 2‑pin locking connector.\u003cbr\u003e\n\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003cbr\u003e\nNP-F570\u003cbr\u003e\n\u003cstrong\u003eBattery Life\u003c\/strong\u003e\u003cbr\u003e\nApproximately 60 minutes\u003cbr\u003e\n(recording 6K RAW at 24 fps to CFast 2.0 with screen brightness at 50%)\u003cbr\u003e\n\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003e\n12V-20V.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAccessories\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eOptional Accessories\u003c\/strong\u003e\u003cbr\u003e\nBlackmagic Pocket Cinema Camera Pro EVF\u003cbr\u003e\nBlackmagic Pocket Camera Battery Pro Grip\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e\u003cbr\u003e\n0°to 40°C (32° to 104°F)\u003cbr\u003e\n\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e\u003cbr\u003e\n-20°to 45°C (-4° to 113°F)\u003cbr\u003e\n\u003cstrong\u003eRelative Humidity\u003c\/strong\u003e\u003cbr\u003e\n0% to 90% non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":51203722739988,"sku":null,"price":243999.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Blackmagic-Design-Pocket-Cinema-Camera-6K-Pro-Online-Buy-Mumbai-India.jpg?v=1755783499"},{"product_id":"canon-eos-c70-cinema-camera-rf-mount-body-only","title":"Canon EOS C70 Cinema Camera (RF Mount) (Body Only)","description":"\u003ch2\u003eCanon EOS C70 Cinema Camera (RF Mount) (Body Only)\u003c\/h2\u003e\n\u003cp\u003eThe EOS C70 is Canon’s first RF Mount Cinema EOS Camera. Integrating a DGO sensor, ND Filters, Mini XLR audio inputs and even timecode all into a compact lightweight body, the EOS C70 is a rethink on the possibilities of what a small cinema camera is able to achieve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNative RF Mount\u003c\/strong\u003e\u003cbr\u003e\nThe EOS C70 is the first camera in the Cinema EOS family to feature the RF Mount natively. Canon’s RF Mount is the pinnacle of our lens mount technologies. Integrating high-speed electronics and a shorter flange distance, this modern and future-proofed lens mount unlocks new possibilities in lens design and performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility with RF and EF Lenses\u003c\/strong\u003e\u003cbr\u003e\nThe Mount Adapter EF–EOS R 0.71x (sold separately) is designed for the EOS C70 and allows for EF Lenses to be mounted to RF- mount cameras. Due to internal optics the adapter allows for a 1-stop gain in light transmission. This also allows for lenses to be used without a “crop factor”, allowing for extremely close field of view that corresponds to the focal length of the adapted lens.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Gain Output Sensor\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSuper 35mm DGO Sensor\u003c\/strong\u003e\u003cbr\u003e\nCanon’s Super 35mm DGO sensor that debuted in the EOS C300 Mark III is the heart of the image in the new EOS C70, promising the same performance as its older sibling in a much smaller body. High dynamic range images of up to 16+ stops with low noise can be captured, re-imagining the creative possibilities of such a compact body.\u003c\/p\u003e\n\u003cp\u003eThe EOS C70 is also the first Cinema EOS camera to feature EOS iTR AF X, a new AF algorithm that improves subject detection and tracking as well as incorporating head detection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact body with ​​Professional Interfaces \u0026amp; Features\u003c\/strong\u003e\u003cbr\u003e\nWith the EOS C70, Canon has managed to integrate some of the most important features that professional filmmakers ask for into a body size that is comparable to a mirrorless camera.\u003c\/p\u003e\n\u003cp\u003eFor the first time, vertical shooting has also been seamlessly integrated into the EOS C70’s hardware and software, optimizing the camera for content creation for mobile devices and vertical oriented social media platforms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTop-Handle \u0026amp; Mic Holder\u003c\/strong\u003e\u003cbr\u003e\nWith the removable top handle, camera operators have the option of low-angle shoot with comfortable ergonomics. The addition of a Forward-mounted Mic Holder also gives more flexibility in audio accessory mounting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTouch UI \u0026amp; Vertical Shooting\u003c\/strong\u003e\u003cbr\u003e\nUtilising a newly designed direct touch control interface, the EOS C70 has the ability to rotate camera controls on the screen to a portrait orientation. This feature fulfils user requests for vertically-oriented videos to cater for social media content creation for mobile devices. A tripod mount is also integrated into the vertical grip, allowing for easy mounting of the camera in a portrait orientation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVari-angle LCD\u003c\/strong\u003e\u003cbr\u003e\nAlongside the increased emphasis on touch control, the new Vari-angle LCD in conjunction with the touch interface allows for easy framing and camera control in any situation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Formats Suitable for Professional Applications\u003c\/strong\u003e\u003cbr\u003e\nThe EOS C70 records in a variety of file formats that are suitable for a wide variety of users and content. Both XF-AVC and MP4 record internally to SD cards in 4K, 2K and full HD resolutions. ​​Slow motion frame rates of up to 120fps in S35mm and 180fps in S16 mode are also available. 10bit 4:2:2 colour spaces can be recorded at up to 4K 50\/60p resolutions to fulfil modern demands of colour grading and broadcast requirements.\u003c\/p\u003e\n\u003cp\u003eThis is also true of the HDMI output, allowing users the option of recording and monitoring on external recorders if they require.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"table table-info\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eSensor Size (W x H)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eS35 Format 26.4 x 13.8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eS35 DGO Sensor\u003cbr\u003e\n4K @ 120fps\u003cbr\u003e\nCompact Form Factor\u003cbr\u003e\nProfessional Interface\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRF Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eRAW Recording Feature\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(Internal \/ External)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eNIL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eHighest Quality Compressed Recording Codecs\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(Bit Depth \/ Data Rates)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e*@50P unless otherwise stated\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eXF-AVC 4 096 x 2 160 YCC422 @25p (10bit\/410Mbps Intra)\u003cbr\u003e\nXF-AVC 4096 x 2160 YCC422 @50p (10bit\/260Mbps LongGOP)\u003cbr\u003e\nMP4 (HEVC) 4 096 x 2 160 @50p (10bit\/225Mbps Loong GOP)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eMedia Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSD Card\u003cbr\u003e\n(Dual Slots)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(Power Consumption)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eBPA-A30\/60 (14.6W)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eSDI Output Specifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(SDI Out only)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eNIL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eInput \/ Output Configuration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eHDMI Out (Type A), Headphone Jack, Mini XLR X2, BNC Timecode, 3.4mm DC IN \u0026amp; USB Type C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eLCD Screen and EVF Specifications\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eLCD: 8.89cm (2.76 Mil Dots)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eBase ISO (Clog 2 \u0026amp; 3)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e800\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e*Weight (Body only)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eDimensions: 160 x 130 x 116\u003cbr\u003e\nWeight: 1 170g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eAdditional Notes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eSmall and Compact entry level camera with RF Mount\u003cbr\u003e\n4K slow mo and XLR inputs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51203817079060,"sku":null,"price":459995.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Canon-EOS-C70-Cinema-Camera-RF-Mount-Body-Only-Online-Buy-Mumbai-India.jpg?v=1755785359"},{"product_id":"sony-fx30-digital-cinema-camera","title":"Sony FX30 Digital Cinema Camera","description":"\u003ch2\u003eSony FX30 Digital Cinema Camera\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSupport for filmmaking\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilisation features let you concentrate on composition, not the complexity of crews and rigging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinema Line look and features\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eDesigned for visual storytelling\u003c\/strong\u003e\u003cbr\u003e\nThe FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrawing on the Cinema Line heritage\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFilm industry experience allied with state-of-the-art imaging technology\u003c\/strong\u003e\u003cbr\u003e\nThe outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeautiful imagery\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eAdvanced technology for outstanding resolution\u003c\/strong\u003e\u003cbr\u003e\nThe FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic colour reproduction, low noise and other image quality improvements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS-Cinetone gives you a cinematic look without grading\u003c\/strong\u003e\u003cbr\u003e\nThe S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInfinite possibilities of expression with S-Log\u003c\/strong\u003e\u003cbr\u003e\nFor production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUser LUTs provide an accurate image preview\u003c\/strong\u003e\u003cbr\u003e\nCustomisable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit 4:2:2 recording for greater editing latitude\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine EI, Cine EI Quick and Flexible ISO modes\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFlexible exposure mode handling\u003c\/strong\u003e\u003cbr\u003e\nCine EI offers wide latitude and the highest possible image quality, while Cine EI Quick simplifies setup by automatically switching the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Base ISO (ISO 800\/ISO 2500)\u003c\/strong\u003e\u003cbr\u003e\nWith this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlow-motion images at up to 120 frames per second\u003c\/strong\u003e\u003cbr\u003e\nWith 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable AF maintains a steady focus\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSophisticated tracking features let you concentrate on your shoot\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-body image stabilisation for hand-held shooting\u003c\/strong\u003e\u003cbr\u003e\nActive Mode is a 5-axis image stabilisation mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompensation for focus breathing\u003c\/strong\u003e\u003cbr\u003e\nIn-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimising the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA creative partner you can rely on\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eReady to go wherever you shoot\u003c\/strong\u003e\u003cbr\u003e\nCompact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact, lightweight body\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eDesigned for mobility and comfortable operation\u003c\/strong\u003e\u003cbr\u003e\nWeighing in at 646 g with battery and memory card (951 g with the XLR handle unit), the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability and comfort for extended handheld shooting sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree thread holes in the XLR handle unit for accessories\u003c\/strong\u003e\u003cbr\u003e\nExternal monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers or other addons can be stably and securely attached to the FX30's XLR handle unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable operation for long shoots at 4K\u003c\/strong\u003e\u003cbr\u003e\nWith its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD ), the FX30 is designed to keep working reliably over extended shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003e\nThe main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStreamlined operational control\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eNew main menu\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eQuick access to frequently used features\u003c\/strong\u003e\u003cbr\u003e\nWhile shooting, you can access frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimised for movies and stills are provided.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A and SD card compatible media slots\u003c\/strong\u003e\u003cbr\u003e\nCFexpress Type A is the next standard for compact storage, with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003e\nA side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroad connectivity in a compact body\u003c\/strong\u003e\u003cbr\u003e\nAn HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone and a Multi Interface Shoe with built-in digital audio interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr\u003e\nFor demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardware and software versatility\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eExpandable to meet your needs\u003c\/strong\u003e\u003cbr\u003e\nWhether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount\u003c\/strong\u003e\u003cbr\u003e\nThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose your audio input source\u003c\/strong\u003e\u003cbr\u003e\nThe FX30's XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced image stabilisation and easier workflows with Catalyst\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 records a wealth of metadata for use with Sony's Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePursuing a sustainable product ecosystem\u003c\/strong\u003e\u003cbr\u003e\nMeasures for the environment include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorking towards a zero footprint\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eEnvironmental measures with the FX30\u003c\/strong\u003e\u003cbr\u003e\nThe SORPLAS™ material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Sony India 2 Years Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"specsTable compact\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eBody type\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBody type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eRangefinder-style mirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eSensor\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMax resolution\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e6192 x 4128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage ratio w:h\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e3:2, 16:9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eEffective pixels\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e26 \u003cspan class=\"unitsSuffix\"\u003emegapixels\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSensor size\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eAPS-C (23.4 x 15.6 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSensor type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBSI-CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eImage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eISO\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e100-32000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBoosted ISO (minimum)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBoosted ISO (maximum)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e102400\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWhite balance presets\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eCustom white balance\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes \u003cspan class=\"boolNote\"\u003e(3 settings)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage stabilization\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eSensor-shift\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage stabilization notes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e5-axis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eCIPA image stabilization rating\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e5.5 \u003cspan class=\"unitsSuffix\"\u003estop(s)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUncompressed format\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eRAW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eOptics \u0026amp; Focus\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eAutofocus\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhase Detect\u003c\/li\u003e\n\u003cli\u003eMulti-area\u003c\/li\u003e\n\u003cli\u003eCenter\u003c\/li\u003e\n\u003cli\u003eSelective single-point\u003c\/li\u003e\n\u003cli\u003eTracking\u003c\/li\u003e\n\u003cli\u003eSingle\u003c\/li\u003e\n\u003cli\u003eContinuous\u003c\/li\u003e\n\u003cli\u003eTouch\u003c\/li\u003e\n\u003cli\u003eFace Detection\u003c\/li\u003e\n\u003cli\u003eLive View\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eManual focus\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eNumber of focus points\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e759\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eLens mount\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eFocal length multiplier\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1.5\u003cspan class=\"unitsSuffix\"\u003e×\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eScreen \/ viewfinder\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eScreen size\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e3\u003cspan class=\"unitsSuffix\"\u003e″\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eTouch screen\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eScreen type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eArticulating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eLive view\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eViewfinder type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003ePhotography features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMinimum shutter speed\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e30 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMaximum shutter speed\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1\/8000 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMaximum shutter speed (electronic)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1\/8000 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eAperture priority\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eShutter priority\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eManual exposure mode\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBuilt-in flash\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSelf-timer\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMetering modes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003eMulti\u003c\/li\u003e\n\u003cli\u003eCenter-weighted\u003c\/li\u003e\n\u003cli\u003eHighlight-weighted\u003c\/li\u003e\n\u003cli\u003eAverage\u003c\/li\u003e\n\u003cli\u003eSpot\u003c\/li\u003e\n\u003cli\u003ePartial\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eExposure compensation\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e(at 1\/3 EV steps)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eVideography features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eFormat\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eXAVC S, XAVC HS, XAVC S-I, H.264, H.265\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eModes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 280 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 200 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 280 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 200 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 200 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 150 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 100 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 75 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 45 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 200 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 150 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 140 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 100 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 50 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 30 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 120p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 120p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 222 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 25 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 111 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 16 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 23.98p \/ 89 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 23.98p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMicrophone\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSpeaker\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eStorage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eStorage types\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eDual SD\/CFexpress Type A slots\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eConnectivity\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUSB\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eUSB 3.2 Gen 1 \u003csmall\u003e(5 GBit\/sec)\u003c\/small\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUSB charging\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eHDMI\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes \u003cspan class=\"boolNote\"\u003e(Type A ( YCbCr 4:2:2 10-bit \/ RGB 8-bit))\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMicrophone port\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eHeadphone port\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWireless\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBuilt-In\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWireless notes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eIEEE 802.11a\/b\/g\/n\/ac\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eRemote control\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003ePhysical\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBattery Pack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery description\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNP-FZ100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery Life (CIPA)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e570\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWeight (inc. batteries)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e646 \u003cspan class=\"unitsSuffix\"\u003eg\u003c\/span\u003e (1.42 \u003cspan class=\"unitsSuffix\"\u003elb\u003c\/span\u003e \/ 22.79 \u003cspan class=\"unitsSuffix\"\u003eoz\u003c\/span\u003e)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eDimensions\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e78 x 130 x 85 \u003cspan class=\"unitsSuffix\"\u003emm\u003c\/span\u003e (3.07 x 5.12 x 3.35\u003cspan class=\"unitsSuffix\"\u003e″\u003c\/span\u003e)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eOther features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eOrientation sensor\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eTimelapse recording\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51203853713684,"sku":"ILME-FX30B","price":181990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Sony-FX30-Digital-Cinema-Camera-Online-Buy-Mumbai-India_154e882b-1336-467a-a590-b39d90ec1cdd.jpg?v=1755786699"},{"product_id":"sony-fx30-digital-cinema-camera-with-xlr-handle-unit","title":"Sony FX30 Digital Cinema Camera with XLR Handle Unit","description":"\u003ch2\u003eSony FX30 Digital Cinema Camera with XLR Handle Unit\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSupport for filmmaking\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilisation features let you concentrate on composition, not the complexity of crews and rigging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinema Line look and features\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eDesigned for visual storytelling\u003c\/strong\u003e\u003cbr\u003e\nThe FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrawing on the Cinema Line heritage\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFilm industry experience allied with state-of-the-art imaging technology\u003c\/strong\u003e\u003cbr\u003e\nThe outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBeautiful imagery\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eAdvanced technology for outstanding resolution\u003c\/strong\u003e\u003cbr\u003e\nThe FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic colour reproduction, low noise and other image quality improvements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eS-Cinetone gives you a cinematic look without grading\u003c\/strong\u003e\u003cbr\u003e\nThe S-Cinetone picture profile provides cinematic-looking colour, skin tones and other visual aspects straight out of the camera, without the need for any post-production colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInfinite possibilities of expression with S-Log\u003c\/strong\u003e\u003cbr\u003e\nFor production colour matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive colour gamut and 14+ latitude, for true cinematic image quality during post-production colour grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUser LUTs provide an accurate image preview\u003c\/strong\u003e\u003cbr\u003e\nCustomisable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor and HDMI output to give you a better and more accurate idea of what your final image will look like.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit 4:2:2 recording for greater editing latitude\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more colour information so you can produce fuller, more natural gradations in post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine EI, Cine EI Quick and Flexible ISO modes\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eFlexible exposure mode handling\u003c\/strong\u003e\u003cbr\u003e\nCine EI offers wide latitude and the highest possible image quality, while Cine EI Quick simplifies setup by automatically switching the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Base ISO (ISO 800\/ISO 2500)\u003c\/strong\u003e\u003cbr\u003e\nWith this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlow-motion images at up to 120 frames per second\u003c\/strong\u003e\u003cbr\u003e\nWith 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable AF maintains a steady focus\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eSophisticated tracking features let you concentrate on your shoot\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-body image stabilisation for hand-held shooting\u003c\/strong\u003e\u003cbr\u003e\nActive Mode is a 5-axis image stabilisation mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompensation for focus breathing\u003c\/strong\u003e\u003cbr\u003e\nIn-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimising the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA creative partner you can rely on\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eReady to go wherever you shoot\u003c\/strong\u003e\u003cbr\u003e\nCompact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact, lightweight body\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eDesigned for mobility and comfortable operation\u003c\/strong\u003e\u003cbr\u003e\nWeighing in at 646 g with battery and memory card (951 g with the XLR handle unit), the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability and comfort for extended handheld shooting sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree thread holes in the XLR handle unit for accessories\u003c\/strong\u003e\u003cbr\u003e\nExternal monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers or other addons can be stably and securely attached to the FX30's XLR handle unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable operation for long shoots at 4K\u003c\/strong\u003e\u003cbr\u003e\nWith its highly efficient cooling system and stable power supply (from a high-capacity Z battery or via USB PD ), the FX30 is designed to keep working reliably over extended shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003cbr\u003e\nThe main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStreamlined operational control\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eNew main menu\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eQuick access to frequently used features\u003c\/strong\u003e\u003cbr\u003e\nWhile shooting, you can access frame rate, shutter speed and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimised for movies and stills are provided.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo CFexpress Type A and SD card compatible media slots\u003c\/strong\u003e\u003cbr\u003e\nCFexpress Type A is the next standard for compact storage, with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003cbr\u003e\nA side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroad connectivity in a compact body\u003c\/strong\u003e\u003cbr\u003e\nAn HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone and a Multi Interface Shoe with built-in digital audio interface.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW output via HDMI\u003c\/strong\u003e\u003cbr\u003e\nFor demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHardware and software versatility\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eExpandable to meet your needs\u003c\/strong\u003e\u003cbr\u003e\nWhether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount\u003c\/strong\u003e\u003cbr\u003e\nThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose your audio input source\u003c\/strong\u003e\u003cbr\u003e\nThe FX30's XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced image stabilisation and easier workflows with Catalyst\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 records a wealth of metadata for use with Sony's Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePursuing a sustainable product ecosystem\u003c\/strong\u003e\u003cbr\u003e\nMeasures for the environment include using recycled materials in production; managing environmental impact throughout the supply chain; using renewable energy in production; and using recyclable non-plastic packaging materials.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWorking towards a zero footprint\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003eEnvironmental measures with the FX30\u003c\/strong\u003e\u003cbr\u003e\nThe SORPLAS™ material used in the construction of the FX30 is repeatedly recyclable, durable, oil resistant and of high quality. Other recyclable materials are also used for our camera bodies as much as possible, reducing stress on the environment without compromising performance or functionality in any way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Sony India 2 Years Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"specsTable compact\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eBody type\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBody type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eRangefinder-style mirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eSensor\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMax resolution\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e6192 x 4128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage ratio w:h\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e3:2, 16:9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eEffective pixels\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e26 \u003cspan class=\"unitsSuffix\"\u003emegapixels\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSensor size\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eAPS-C (23.4 x 15.6 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSensor type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBSI-CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eImage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eISO\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e100-32000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBoosted ISO (minimum)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBoosted ISO (maximum)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e102400\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWhite balance presets\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eCustom white balance\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes \u003cspan class=\"boolNote\"\u003e(3 settings)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage stabilization\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eSensor-shift\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage stabilization notes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e5-axis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eCIPA image stabilization rating\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e5.5 \u003cspan class=\"unitsSuffix\"\u003estop(s)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUncompressed format\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eRAW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eOptics \u0026amp; Focus\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eAutofocus\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhase Detect\u003c\/li\u003e\n\u003cli\u003eMulti-area\u003c\/li\u003e\n\u003cli\u003eCenter\u003c\/li\u003e\n\u003cli\u003eSelective single-point\u003c\/li\u003e\n\u003cli\u003eTracking\u003c\/li\u003e\n\u003cli\u003eSingle\u003c\/li\u003e\n\u003cli\u003eContinuous\u003c\/li\u003e\n\u003cli\u003eTouch\u003c\/li\u003e\n\u003cli\u003eFace Detection\u003c\/li\u003e\n\u003cli\u003eLive View\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eManual focus\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eNumber of focus points\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e759\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eLens mount\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eFocal length multiplier\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1.5\u003cspan class=\"unitsSuffix\"\u003e×\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eScreen \/ viewfinder\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eScreen size\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e3\u003cspan class=\"unitsSuffix\"\u003e″\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eTouch screen\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eScreen type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eArticulating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eLive view\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eViewfinder type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003ePhotography features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMinimum shutter speed\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e30 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMaximum shutter speed\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1\/8000 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMaximum shutter speed (electronic)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1\/8000 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eAperture priority\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eShutter priority\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eManual exposure mode\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBuilt-in flash\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSelf-timer\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMetering modes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003eMulti\u003c\/li\u003e\n\u003cli\u003eCenter-weighted\u003c\/li\u003e\n\u003cli\u003eHighlight-weighted\u003c\/li\u003e\n\u003cli\u003eAverage\u003c\/li\u003e\n\u003cli\u003eSpot\u003c\/li\u003e\n\u003cli\u003ePartial\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eExposure compensation\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e(at 1\/3 EV steps)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eVideography features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eFormat\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eXAVC S, XAVC HS, XAVC S-I, H.264, H.265\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eModes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 280 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 200 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 280 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 200 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 200 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 150 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 100 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 75 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 45 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 200 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 150 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 140 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 100 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 50 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 30 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 120p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 120p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 222 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 25 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 111 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 16 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 23.98p \/ 89 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 23.98p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMicrophone\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSpeaker\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eStorage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eStorage types\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eDual SD\/CFexpress Type A slots\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eConnectivity\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUSB\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eUSB 3.2 Gen 1 \u003csmall\u003e(5 GBit\/sec)\u003c\/small\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUSB charging\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eHDMI\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes \u003cspan class=\"boolNote\"\u003e(Type A ( YCbCr 4:2:2 10-bit \/ RGB 8-bit))\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMicrophone port\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eHeadphone port\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWireless\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBuilt-In\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWireless notes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eIEEE 802.11a\/b\/g\/n\/ac\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eRemote control\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003ePhysical\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBattery Pack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery description\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNP-FZ100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery Life (CIPA)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e570\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWeight (inc. batteries)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e646 \u003cspan class=\"unitsSuffix\"\u003eg\u003c\/span\u003e (1.42 \u003cspan class=\"unitsSuffix\"\u003elb\u003c\/span\u003e \/ 22.79 \u003cspan class=\"unitsSuffix\"\u003eoz\u003c\/span\u003e)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eDimensions\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e78 x 130 x 85 \u003cspan class=\"unitsSuffix\"\u003emm\u003c\/span\u003e (3.07 x 5.12 x 3.35\u003cspan class=\"unitsSuffix\"\u003e″\u003c\/span\u003e)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eOther features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eOrientation sensor\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eTimelapse recording\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51203854008596,"sku":"ILME-FX30","price":201990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Sony-FX30-Digital-Cinema-Camera-with-XLR-Handle-Unit-Online-Buy-Mumbai-India.jpg?v=1755786707"},{"product_id":"canon-eos-r5-c-mirrorless-cinema-camera","title":"Canon EOS R5 C Mirrorless Cinema Camera","description":"\u003ch2\u003eCanon EOS R5 C Mirrorless Cinema Camera\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eA Union of Systems\u003c\/strong\u003e\u003cbr\u003e\nExplore the best of both worlds in video production and stills photography with the new EOS R5 C, a mirrorless hybrid camera with the capabilities of CINEMA EOS and EOS R system. A compact and lightweight system with 8K\/60P resolution video recording is born. The all-new internal cooling fan system allows continuous internal recording in various file formats, including Cinema RAW Light, XF-AVC, and MP4.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull-frame 8K sensor\u003c\/strong\u003e\u003cbr\u003e\nRecord 30fps 8K footage across the entire width of the sensor (up to 60fps with external power supply).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinema RAW Light\u003c\/strong\u003e\u003cbr\u003e\nEnjoy greater flexibility and efficiency with lighter data sizes for your 12-bit RAW internal recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXF-AVC and MP4\u003c\/strong\u003e\u003cbr\u003e\nVideo recording in MXF-based broadcast-standard XF-AVC and MP4 formats are also supported.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Pixel CMOS AF\u003c\/strong\u003e\u003cbr\u003e\nSpotting the Eye AF and EOS iTR AF X for impeccable autofocus performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e45 Megapixel images\u003c\/strong\u003e\u003cbr\u003e\nCapture crisp details with high quality images at up to 20fps with the electronic shutter and up to 12fps when using the mechanical shutter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLong duration recording\u003c\/strong\u003e\u003cbr\u003e\nRecord 8K footage with ease across an extended duration, thanks to a new active cooling system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDR recording\u003c\/strong\u003e\u003cbr\u003e\nHigh dynamic range recording with Canon Log3, HLG and PQ support offer more realistic videos with detailed highlights and darker shadows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinema EOS functions\u003c\/strong\u003e\u003cbr\u003e\nEnjoy maximum control over your production with professional Cinema EOS features such as Canon Log 3, waveform and false colour monitoring and timecode terminal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSturdy and portable design\u003c\/strong\u003e\u003cbr\u003e\nA lightweight (680g) magnesium alloy body with dust- and drip-resistance offers you peace of mind during outdoor shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic full-frame 8K video\u003c\/strong\u003e\u003cbr\u003e\nFor the first time ever in the Cinema EOS System, the EOS R5 C offers 8K 60p RAW internal recording on a full-frame sensor. 4K 4:2:2 10-bit recording is also possible with 8K readout oversampling, offering stunning high resolution footage and greater possibilities in post-production. Create stunning slow motion scenes with high frame rate recording at up to 4K 120fps, with support for simultaneous audio recording that eliminates the need for separate audio input typically required in conventional high frame rate recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning 45MP image quality\u003c\/strong\u003e\u003cbr\u003e\nThe EOS R5 C is not just an excellent video camera, it also shares the same photography features as the EOS R5, making it a powerful workhorse even in still image photography.\u003c\/p\u003e\n\u003cp\u003eEquipped with 45 megapixels, the EOS R5 C also delivers pin-sharp images across the entire width of the full-frame sensor, with bursts up to 20fps along with cutting-edge autofocus technology -- Dual Pixel CMOS AF II (Photo mode) and EOS iTR AF X, including Eye Detection AF and Animal Detection AF. Low-light performance is also on point with ISO sensitivity that goes up to 51 200 and a focusing brightness range that goes up to EV-6.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRF mount expands possibilities\u003c\/strong\u003e\u003cbr\u003e\nEquipped with an RF mount, the EOS R5 C dramatically expands your lens options and possibilities by offering compatibility with not just the latest RF lenses, but also an extensive range of existing EF and Cinema lenses via the EF-EOS R Mount Adapters. You can also record your own virtual reality videos by attaching the RF5.2mm F2.8 L Dual Fisheye VR lens!\u003c\/p\u003e\n\u003cp\u003eThe electronic image stabilisation of the camera combined with the in-lens Image Stabilizer of selected lenses provides Combination IS that further improves stabilisation in your footages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperior autofocusing\u003c\/strong\u003e\u003cbr\u003e\nNever lose track of your subjects during recording even when they are not facing the camera, thanks to the amazing focusing precision of the EOS R5 C’s Dual Pixel CMOS AF, Eye Detection AF and EOS iTR AF X that is engineered with deep learning technology.\u003c\/p\u003e\n\u003cp\u003eMultiple AF modes, including the Dual Pixel Focus Guide that comes in handy during manual focusing, offer even greater control and flexibility in your shoots. With a Vari-angle touchscreen LCD, autofocusing has become more intuitive with direct touch controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMultiple recording formats\u003c\/strong\u003e\u003cbr\u003e\nThe EOS R5 C has a wide range of recording formats to suit every need. Cinema RAW Light saves your RAW recordings in lighter file sizes for easier file handling. The broadcast-ready MXF-compliant XF-AVC format and the highly versatile HEVC\/H.264 MP4 formats support proxy recording in lower bitrates for more efficient video editing.\u003c\/p\u003e\n\u003cp\u003eThe Canon Log 3 colour profile offers a wide dynamic range and flexibility in colour grading. In addition, a full-featured Custom Picture mode supports Hybrid Log-Gamma (HLG) and Perceptual Quantization (PQ) for High Dynamic Range (HDR) recordings.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew internal cooling fan\u003c\/strong\u003e\u003cbr\u003e\nEnjoy continuous* recording of high definition 8K\/60p video without interruption.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull-featured buttons\u003c\/strong\u003e\u003cbr\u003e\nThe buttons are designed to improve the operability, making it easy to use as a professional cinema camera. In addition, its 13 assignable buttons allow for flexible customisation and better control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpanded professional interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTally lamp shows recording in progress\u003c\/li\u003e\n\u003cli\u003eTimecode terminal essential for multi-camera shooting\u003c\/li\u003e\n\u003cli\u003ePower dial with simple design allows for easy photo\/video switching\u003c\/li\u003e\n\u003cli\u003eMulti-function shoe shares the same functionality as the EOS R3 and supports professional audio accessories, Speedlites and more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDual card slots\u003c\/strong\u003e\u003cbr\u003e\nThe dual card slot lets users combine a CF-Express and SD Card. Simultaneous recording of 4K XF-AVC, MP4, and proxy data is enabled even during 8K RAW internal recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible power supply\u003c\/strong\u003e\u003cbr\u003e\nThe EOS R5 C comes with the LP-E6NH battery.\u003c\/p\u003e\n\u003cp\u003eOptional power options:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePD-E1 USB power adapter (sold separately)\u003c\/li\u003e\n\u003cli\u003eDR-E6C DC coupler with CA-946 compact power adapter (both sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompact and lightweight\u003c\/strong\u003e\u003cbr\u003e\nEven with its multiple features, the EOS R5 C remains in a compact size (142mm width x 101mm height x 111mm depth) and is lightweight enough (approx. 680g body only, or 770g with one battery and memory cards - CFexpress \u0026amp; SD card) for long shoots outdoors, and for easy handling even with gimbals.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"table table-info\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eSensor Size (W x H)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull Frame 36mm x 24mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eLens Mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRF Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eRAW Recording Feature\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(Internal \/ External)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eCinema RAW Light 8K 50P\/60P Internal Recording to CFEpress\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eHighest Quality Compressed Recording Codecs\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(Bit Depth \/ Data Rates)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e*@50P unless otherwise stated\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eXF-AVC \/ MXF: 4096 x 2160 (YCC422, 810Mbps)\u003cbr\u003e\nMP4 (HEVC): 8192 x 4230 (YCC422, 540Mbps)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eMedia Type\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1x CFExpress (TypeB)\u003cbr\u003e\n1x SD Card\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eBattery Type\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(Power Consumption)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eLP-E6NH\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eSDI Output Specifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e(SDI Out only)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eInput \/ Output Configuration\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eClean HDMI Output (Micro), Headphone Jack(3.5mm), Mic Jack(3.5mm), TC(Din 1.0\/2.3), USB Type C (For Power), Remote (N3 Type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eLCD Screen and EVF Specifications\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8.128cm (3.2in) 3:2 LCD Touch Panel\u003cbr\u003e\n1.27cm (0.5in) OLED colour EVF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\u003cstrong\u003eBase ISO (Clog 2 \u0026amp; 3)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e800 (Clog 3)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"title\"\u003e\n\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003cbr\u003e\n\u003cstrong\u003e*Weight (Body only)\u003c\/strong\u003e\n\u003c\/td\u003e\n\u003ctd\u003e142mm x 101mm x 111mm\u003cbr\u003e\n680g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003eFAQs\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e1. What are the key features of the Canon EOS R5 C Mirrorless Cinema Camera?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Canon EOS R5 C boasts impressive features such as 8K DCI recording, a Super 35mm Dual Gain Output (DGO) sensor, Dual Pixel CMOS AF II, and a compact, lightweight design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. What is the video recording capability of the EOS R5 C?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe EOS R5 C is capable of recording stunning 8K DCI video at 30fps, making it an ideal choice for professional videographers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. How does Dual Pixel CMOS AF II benefit filmmakers?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDual Pixel CMOS AF II ensures fast, accurate, and smooth autofocus during video recording, making it easier to capture professional-quality footage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4. Is the EOS R5 C suitable for low-light shooting?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, thanks to its Super 35mm Dual Gain Output (DGO) sensor, the EOS R5 C excels in low-light conditions, providing exceptional image quality even in challenging lighting situations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. Can I use my existing RF lenses with the EOS R5 C?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the EOS R5 C is compatible with Canon's RF lens lineup, offering a wide range of creative possibilities for filmmakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6. What is the benefit of the compact and lightweight design of the EOS R5 C?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera's compact and lightweight design makes it highly portable and suitable for various shooting scenarios, including handheld and gimbal-mounted setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7. Does the EOS R5 C have built-in image stabilization?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, it features in-body image stabilization (IBIS) to reduce camera shake, ensuring smooth and steady footage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8. What are the audio recording options on the EOS R5 C?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera offers high-quality audio recording with a built-in stereo microphone, and it also supports external microphones for advanced audio capture.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9. Is there a flip-out LCD screen for easy framing and monitoring?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the EOS R5 C features a vari-angle LCD touchscreen, allowing you to frame and monitor your shots conveniently from various angles.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":51203943366932,"sku":null,"price":288999.0,"currency_code":"INR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Canon-EOS-R5-C-Mirrorless-Cinema-Camera-Online-Buy-India.jpg?v=1755789424"},{"product_id":"sony-fx30-cinema-camera-with-e-pz-18-105mm-f4-g-oss-lens","title":"Sony FX30 Cinema Camera With E PZ 18-105mm F4 G OSS Lens","description":"\u003ch2\u003eSony FX30 Cinema Camera With E PZ 18-105mm F4 G OSS Lens\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCapture Stunning Cinematic Visuals with Ease\u003c\/strong\u003e\u003cbr\u003e\nExperience the power of professional filmmaking with the Sony FX30 Cinema Camera, perfectly paired with the versatile E PZ 18-105mm F4 G OSS Lens. Whether you're an aspiring filmmaker or a seasoned professional, this combination is designed to deliver breathtaking visuals with exceptional clarity. The FX30’s Super 35mm Exmor R CMOS sensor captures stunning 4K footage, while the constant F4 aperture lens provides consistent exposure throughout the zoom range, ensuring that every shot is as sharp and bright as the last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced Autofocus and Image Stabilization for Seamless Shooting\u003c\/strong\u003e\u003cbr\u003e\nDon’t let technical limitations hold you back from creating your masterpiece. The Sony FX30 features a cutting-edge Fast Hybrid Autofocus system that tracks subjects with precision, even during fast-paced action sequences. Combined with the Optical SteadyShot (OSS) image stabilization of the 18-105mm lens, you can capture smooth, shake-free video in any situation. This makes the FX30 ideal for dynamic shooting environments, from handheld vlogs to professional movie sets.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatile Lens for Every Shooting Scenario\u003c\/strong\u003e\u003cbr\u003e\nThe E PZ 18-105mm F4 G OSS Lens offers an incredibly versatile focal range, making it perfect for both close-ups and wide-angle shots. Whether you're capturing sweeping landscapes or intimate interviews, the smooth zoom control ensures that your transitions are flawless. Plus, the constant F4 aperture provides flexibility in low light conditions, giving you the freedom to shoot in any environment without sacrificing quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic Color Grading and Post-Production Flexibility\u003c\/strong\u003e\u003cbr\u003e\nThe FX30 is equipped with S-Log3\/S-Gamut3.Cine profiles, giving you extensive dynamic range and color grading flexibility in post-production. This is perfect for filmmakers who want to create a highly stylized look or retain more details in highlights and shadows. The dual base ISO allows for improved performance in both low-light and bright environments, ensuring your footage maintains exceptional quality regardless of lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Durability and Portability\u003c\/strong\u003e\u003cbr\u003e\nThe Sony FX30 Cinema Camera is built for the rigors of professional production. Its lightweight and compact design makes it highly portable, perfect for on-the-go filmmakers who need equipment that can keep up with their creative vision. The camera’s weather-sealed body protects it from dust and moisture, ensuring reliable performance in challenging outdoor environments. Paired with the rugged E PZ 18-105mm F4 G OSS Lens, you have a setup that is ready to perform in any situation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvantages:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHigh-Quality 4K Recording:\u003c\/strong\u003e The Super 35mm sensor ensures stunning 4K footage with exceptional detail and clarity.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Autofocus System:\u003c\/strong\u003e The Fast Hybrid AF ensures sharp focus on moving subjects, perfect for action shots.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVersatile Zoom Lens:\u003c\/strong\u003e The E PZ 18-105mm lens provides a wide focal range with a constant F4 aperture, perfect for various shooting scenarios.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCinematic Color Profiles:\u003c\/strong\u003e S-Log3 and S-Gamut3.Cine offer flexibility in color grading and post-production.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact and Durable:\u003c\/strong\u003e Lightweight design and weather-sealing make it ideal for outdoor and on-the-go shooting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e26.1MP APS-C BSI CMOS Sensor\u003c\/li\u003e\n\u003cli\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/li\u003e\n\u003cli\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/li\u003e\n\u003cli\u003eStandard ISO 100-32000 | Dual Base ISO\u003c\/li\u003e\n\u003cli\u003eCompact Form Designed for Cage-Free Use\u003c\/li\u003e\n\u003cli\u003eUHD 4K up to 120p\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Sony India 2 Years Warranty\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable class=\"specsTable compact\" cellspacing=\"0\" cellpadding=\"0\"\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eBody type\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBody type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eRangefinder-style mirrorless\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eSensor\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMax resolution\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e6192 x 4128\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage ratio w:h\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e3:2, 16:9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eEffective pixels\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e26 \u003cspan class=\"unitsSuffix\"\u003emegapixels\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSensor size\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eAPS-C (23.4 x 15.6 mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSensor type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBSI-CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eImage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eISO\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e100-32000\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBoosted ISO (minimum)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e50\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBoosted ISO (maximum)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e102400\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWhite balance presets\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eCustom white balance\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes \u003cspan class=\"boolNote\"\u003e(3 settings)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage stabilization\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eSensor-shift\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eImage stabilization notes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e5-axis\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eCIPA image stabilization rating\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e5.5 \u003cspan class=\"unitsSuffix\"\u003estop(s)\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUncompressed format\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eRAW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eOptics \u0026amp; Focus\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eAutofocus\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003ePhase Detect\u003c\/li\u003e\n\u003cli\u003eMulti-area\u003c\/li\u003e\n\u003cli\u003eCenter\u003c\/li\u003e\n\u003cli\u003eSelective single-point\u003c\/li\u003e\n\u003cli\u003eTracking\u003c\/li\u003e\n\u003cli\u003eSingle\u003c\/li\u003e\n\u003cli\u003eContinuous\u003c\/li\u003e\n\u003cli\u003eTouch\u003c\/li\u003e\n\u003cli\u003eFace Detection\u003c\/li\u003e\n\u003cli\u003eLive View\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eManual focus\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eNumber of focus points\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e759\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eLens mount\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eSony E\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eFocal length multiplier\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1.5\u003cspan class=\"unitsSuffix\"\u003e×\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eScreen \/ viewfinder\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eScreen size\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e3\u003cspan class=\"unitsSuffix\"\u003e″\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eTouch screen\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eScreen type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eArticulating\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eLive view\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eViewfinder type\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003ePhotography features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMinimum shutter speed\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e30 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMaximum shutter speed\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1\/8000 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMaximum shutter speed (electronic)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e1\/8000 \u003cspan class=\"unitsSuffix\"\u003esec\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eAperture priority\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eShutter priority\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eManual exposure mode\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBuilt-in flash\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSelf-timer\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMetering modes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003eMulti\u003c\/li\u003e\n\u003cli\u003eCenter-weighted\u003c\/li\u003e\n\u003cli\u003eHighlight-weighted\u003c\/li\u003e\n\u003cli\u003eAverage\u003c\/li\u003e\n\u003cli\u003eSpot\u003c\/li\u003e\n\u003cli\u003ePartial\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eExposure compensation\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e(at 1\/3 EV steps)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eVideography features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eFormat\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eXAVC S, XAVC HS, XAVC S-I, H.264, H.265\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eModes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e\n\u003cul\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 280 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 200 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 280 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 120p \/ 200 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 200 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 150 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 100 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 75 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 45 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 200 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 60p \/ 150 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 140 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 30p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 100 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 50 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 30 Mbps, XAVC HS, MP4, H.265, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e3840 x 2160 @ 23.98p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 120p \/ 100 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 120p \/ 60 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 222 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 60p \/ 25 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 111 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 30p \/ 16 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 23.98p \/ 89 Mbps, XAVC S-I, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003cli\u003e1920 x 1080 @ 23.98p \/ 50 Mbps, XAVC S, MP4, H.264, Linear PCM\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMicrophone\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eStereo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eSpeaker\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eStorage\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eStorage types\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eDual SD\/CFexpress Type A slots\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eConnectivity\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUSB\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eUSB 3.2 Gen 1 \u003csmall\u003e(5 GBit\/sec)\u003c\/small\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eUSB charging\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eHDMI\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes \u003cspan class=\"boolNote\"\u003e(Type A ( YCbCr 4:2:2 10-bit \/ RGB 8-bit))\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eMicrophone port\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eHeadphone port\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWireless\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBuilt-In\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWireless notes\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eIEEE 802.11a\/b\/g\/n\/ac\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eRemote control\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003ePhysical\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eBattery Pack\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery description\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNP-FZ100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eBattery Life (CIPA)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e570\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eWeight (inc. batteries)\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e646 \u003cspan class=\"unitsSuffix\"\u003eg\u003c\/span\u003e (1.42 \u003cspan class=\"unitsSuffix\"\u003elb\u003c\/span\u003e \/ 22.79 \u003cspan class=\"unitsSuffix\"\u003eoz\u003c\/span\u003e)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eDimensions\u003c\/th\u003e\n\u003ctd class=\"value\"\u003e78 x 130 x 85 \u003cspan class=\"unitsSuffix\"\u003emm\u003c\/span\u003e (3.07 x 5.12 x 3.35\u003cspan class=\"unitsSuffix\"\u003e″\u003c\/span\u003e)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"large groupLabel\" colspan=\"3\"\u003eOther features\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eOrientation sensor\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eYes\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"label\" scope=\"row\"\u003eTimelapse recording\u003c\/th\u003e\n\u003ctd class=\"value\"\u003eNo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51204095541524,"sku":null,"price":219990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/Sony-FX30-Cinema-Camera-With-E-PZ-18-105mm-F4-G-OSS-Lens-Online-Buy-India-1.jpg?v=1755794367"},{"product_id":"canon-eos-c50-full-frame-cinema-camera-india","title":"Canon EOS C50 Full-Frame Cinema Camera","description":"\u003ch2\u003eCanon EOS C50 Full-Frame Cinema Camera\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Powerhouse for Professional Filmmaking\u003c\/strong\u003e\u003cbr\u003eThe Canon EOS C50 Full-Frame Cinema Camera redefines what’s possible in a compact body. Designed for professional filmmakers, documentarians, and content creators who demand cinematic performance without the bulk, the C50 offers a perfect fusion of portability and power. Its full-frame sensor delivers rich color depth, wide dynamic range, and low-light excellence, giving your visuals that unmistakable cinematic touch. Whether you’re shooting feature films, documentaries, or branded content, the C50 brings Canon’s cinema heritage into a modern, lightweight design that fits comfortably in any production environment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic Full-Frame Performance\u003c\/strong\u003e\u003cbr\u003eAt the heart of the EOS C50 lies Canon’s advanced full-frame sensor, capable of producing stunning 4K video with impressive dynamic range and natural color science. The camera’s ability to reproduce skin tones with delicate precision makes it a favorite among cinematographers seeking authentic imagery. From the shallow depth of field that enhances subject separation to the exceptional highlight roll-off that preserves visual nuance, the C50 transforms every frame into a cinematic masterpiece. Combined with Canon Log 3 and HDR support, your footage retains incredible latitude during color grading, ensuring flexibility for post-production workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliable Autofocus and Intelligent Control\u003c\/strong\u003e\u003cbr\u003eOne of the biggest frustrations for filmmakers is losing focus on a critical shot. The Canon EOS C50 eliminates that worry with Canon’s Dual Pixel CMOS AF technology, ensuring smooth and accurate autofocus tracking even in challenging shooting conditions. The advanced face and eye detection features maintain your subject’s focus seamlessly, making it ideal for solo shooters and run-and-gun productions. Customizable autofocus speed and sensitivity settings give you the creative control to adapt focus transitions to your storytelling needs, blending precision with artistry.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt for Efficiency and Versatility\u003c\/strong\u003e\u003cbr\u003eIn fast-paced production environments, reliability and ease of use are crucial. The C50’s modular design allows it to adapt effortlessly to any rig setup — from handheld gimbal shooting to multi-camera studio configurations. Its compact form factor makes it perfect for drone use or tight-space cinematography where larger cinema cameras can’t fit. With professional-grade connectivity, including HDMI, XLR audio inputs, and timecode support, the EOS C50 is ready to integrate seamlessly into professional workflows. Its efficient cooling system ensures uninterrupted performance, even during extended takes in demanding environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLow-Light Mastery and Real-World Durability\u003c\/strong\u003e\u003cbr\u003eLow-light shooting often poses a challenge for filmmakers, but the Canon EOS C50 excels in this arena. With its high sensitivity and reduced noise performance, the camera delivers clean, detailed images even in dimly lit scenes. Whether shooting indoors, during night sequences, or in dynamic lighting setups, the C50 ensures your vision is never compromised. Its robust magnesium alloy body is built for durability, offering confidence in every shoot — from studios to remote outdoor locations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStreamlined Workflow for Modern Productions\u003c\/strong\u003e\u003cbr\u003eThe C50 simplifies the post-production process with efficient codecs and flexible recording formats that are compatible with major editing platforms. It supports Canon’s XF-AVC and MP4 recording, offering both broadcast-quality and lightweight options for different delivery requirements. Dual card slots enable simultaneous or relay recording for data security, while its intuitive interface and touchscreen controls make on-set operation smooth and responsive. For content creators working across multiple formats and platforms, the C50’s adaptability makes it an invaluable production companion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFull-Frame 6K CMOS Sensor:\u003c\/strong\u003e Delivers breathtaking image quality with over 15 stops of dynamic range, creating rich, cinematic footage with beautiful background separation and excellent low-light performance.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal 12-bit Cinema RAW Light:\u003c\/strong\u003e Record high-fidelity RAW footage directly to CFexpress cards for maximum flexibility in post-production without needing an external recorder.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual Pixel CMOS AF II with Subject Tracking:\u003c\/strong\u003e Canon's industry-leading autofocus system provides fast, accurate, and intelligent subject tracking, including eye, face, and head detection, keeping your shots consistently sharp.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCompact \u0026amp; Modular Design:\u003c\/strong\u003e Weighing just over one kilogram, the C50's body is built for versatility. Use it stripped down on a gimbal or drone, or build it up with a top handle and XLR inputs for studio work.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProfessional Connectivity:\u003c\/strong\u003e Equipped with essential professional terminals including 12G-SDI, Timecode, and dual Mini-XLR inputs for high-quality audio capture and integration into professional workflows.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Canon EOS C50 Cinema Camera Is Better\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Canon EOS C50 stands apart by refusing to compromise. While other compact cameras often sacrifice professional I\/O or recording formats, the C50 integrates a full-frame sensor, internal RAW recording, and essential connections like SDI and timecode into one small package. Combined with Canon's famously accurate color science and arguably the most reliable autofocus system on the market, it offers a complete, dependable filmmaking tool that streamlines your process from capture to post.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvantages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue cinema camera features in a compact form factor.\u003c\/li\u003e\n\u003cli\u003eExceptional autofocus that filmmakers can trust.\u003c\/li\u003e\n\u003cli\u003eBeautiful, natural Canon color science straight out of the camera.\u003c\/li\u003e\n\u003cli\u003eFlexible internal RAW recording simplifies your workflow.\u003c\/li\u003e\n\u003cli\u003eVersatile RF mount for access to superb modern lenses.\u003c\/li\u003e\n\u003cli\u003eExcellent low-light capability with the full-frame sensor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eBest Suitable For\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndependent filmmakers and documentary creators.\u003c\/li\u003e\n\u003cli\u003eWedding and event videographers seeking high-end quality.\u003c\/li\u003e\n\u003cli\u003eCorporate video production teams.\u003c\/li\u003e\n\u003cli\u003eProduction houses looking for a reliable B-cam or gimbal camera.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Choose Hey Jimmy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAuthorised Canon Professional Dealer for genuine products.\u003c\/li\u003e\n\u003cli\u003eFree and fast shipping across Australia.\u003c\/li\u003e\n\u003cli\u003eLocal Australian warranty and expert customer support.\u003c\/li\u003e\n\u003cli\u003eCompetitive pricing and flexible payment options available.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003ctable style=\"border-collapse: collapse; width: 100%; border: 1px solid #cccccc; font-size: 14px;\" border=\"1\" cellspacing=\"0\" cellpadding=\"6\"\u003e\n\u003cthead\u003e\n\u003ctr style=\"background: #f9f9f9;\"\u003e\n\u003cth style=\"border: 1px solid #cccccc; text-align: left; padding: 6px;\"\u003eSpecification\u003c\/th\u003e\n\u003cth style=\"border: 1px solid #cccccc; text-align: left; padding: 6px;\"\u003eDetails\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eSensor\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eFull-Frame CMOS Sensor\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eEffective Pixels\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eApprox. 19 Megapixels\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eMax Resolution\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e6000 x 3164 (6K DCI)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eRecording Formats\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e12-bit Cinema RAW Light (LT, ST, HQ), 10-bit 4:2:2 XF-AVC (H.264)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eFrame Rates\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e6K up to 60p, 4K (crop) up to 120p, 2K up to 180p\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eDynamic Range\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e15+ Stops (in Canon Log 2)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eAutofocus\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eDual Pixel CMOS AF II with Eye\/Face\/Head Detection\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eLens Mount\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eCanon RF Mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eMedia Slots\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e2x CFexpress Type B, 1x SD Card Slot (for proxies\/stills)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eAudio Inputs\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e2x Mini-XLR, 1x 3.5mm Stereo Mic Jack, Built-in Stereo Mic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eVideo Outputs\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e1x 12G-SDI, 1x HDMI (Type A)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eOther I\/O\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eTimecode (BNC), USB-C, 2.5mm Remote\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eWeight\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eApprox. 1.15 kg (Body Only)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003eDimensions\u003c\/td\u003e\n\u003ctd style=\"border: 1px solid #cccccc; padding: 6px;\"\u003e105 x 110 x 120 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch4\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFAQs for Canon EOS C50 Full-Frame Cinema Camera\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Does the EOS C50 have built-in ND filters?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA: No, to maintain its compact size, the EOS C50 does not feature internal ND filters. It is designed to be used with high-quality lens-mounted filters or a matte box.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: What is the main difference between the C50 and the EOS R5 C?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA: The EOS C50 is a dedicated cinema camera with pro I\/O like SDI and Timecode, an active cooling system for continuous recording, and uses BP-A batteries. The R5 C is a true hybrid camera that excels at both high-resolution stills and video in a smaller body.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: Can I use my EF lenses with the Canon EOS C50?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA: Yes, you can use Canon EF lenses with full autofocus, iris, and metadata support by using any of the Canon Mount Adapter EF-EOS R accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eQ: What kind of battery does the C50 use?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA: The EOS C50 uses the professional Canon BP-A series batteries (like the BP-A30 or BP-A60), which provide long run times suitable for demanding shoots.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":52241591140628,"sku":null,"price":289990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/CanonEOSC50Full-FrameCinemaCameraOnlineBuyIndia.webp?v=1773732736"},{"product_id":"sony-fx2-digital-cinema-camera","title":"Sony FX2 Digital Cinema Camera","description":"\u003ch2\u003eSony FX2 Digital Cinema Camera\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Powerhouse for Cinematic Storytelling\u003c\/strong\u003e\u003cbr\u003eThe Sony FX2 Digital Cinema Camera brings the celebrated image quality of Sony’s Cinema Line into a compact, lightweight form factor designed for creators who refuse to compromise. Built around a full-frame sensor and advanced image processing, the FX2 delivers breathtaking 4K cinematic visuals with wide dynamic range and exceptional low-light performance. Whether you’re an independent filmmaker, documentarian, or content creator, this camera ensures your story shines with the look and feel of true cinema.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning Full-Frame Image Quality\u003c\/strong\u003e\u003cbr\u003eOne of the biggest frustrations for filmmakers is balancing portability with uncompromised image quality. The Sony FX2 solves this by offering the same large-format imaging seen in high-end cinema rigs, but in a body that fits into smaller setups. With oversampled 4K from its full-frame sensor, high ISO performance, and cinematic color science, every frame captures rich detail, natural skin tones, and incredible clarity—even in demanding lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible Recording and Creative Freedom\u003c\/strong\u003e\u003cbr\u003eCreators often struggle with cameras that restrict workflow. The FX2 gives you creative freedom with a wide range of codecs, bit depths, and frame rates, ensuring your production needs are covered. From high-bitrate recording for demanding projects to lightweight codecs for quick turnarounds, it adapts seamlessly to your style. Slow-motion capture, HDR options, and flexible picture profiles empower you to push creative boundaries without technical limitations holding you back.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Design with Professional Expandability\u003c\/strong\u003e\u003cbr\u003eFilmmakers frequently face the challenge of balancing mobility with professional connectivity. The FX2 answers this with a highly portable body that’s easy to rig on gimbals, drones, or handheld, while also being expandable with professional accessories. The variant with the XLR Handle Unit offers professional-grade audio inputs, ergonomics, and enhanced control, making it a versatile solution whether you’re capturing solo or with a full crew.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReliability That Matches Your Ambition\u003c\/strong\u003e\u003cbr\u003eOn-set frustrations like overheating, limited battery life, or poor ergonomics can cost precious time. Sony designed the FX2 for long shooting hours, dependable thermal management, and intuitive controls so you can focus on capturing the shot instead of troubleshooting. Its robust build and versatile power options make it a reliable partner for both studio environments and rugged outdoor locations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWho Should Use Sony FX2 Digital Cinema Camera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX2 is ideal for independent filmmakers, professional videographers, documentary makers, and content creators who want full-frame cinematic quality without the bulk of traditional cinema cameras. It’s also an excellent choice for production houses needing a versatile B-camera that matches high-end Sony cinema systems.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhy Should You Use Sony FX2 Digital Cinema Camera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou should choose the Sony FX2 because it combines cinematic full-frame imaging, flexible recording formats, and portability in one solution. It adapts to your workflow, solves common on-set challenges, and provides professional expandability with the XLR Handle Unit, ensuring you’re always production-ready without sacrificing creative freedom.\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eFAQs for Sony FX2 Digital Cinema Camera\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003e1. What is the Sony FX2 Digital Cinema Camera best used for?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX2 is best used for professional filmmaking, documentaries, commercial shoots, and high-quality content creation. Its full-frame sensor and cinematic image processing deliver exceptional 4K visuals in a compact body.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2. Does the Sony FX2 support 4K recording?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX2 records oversampled 4K with exceptional detail and dynamic range, making it a reliable choice for cinematic productions and professional video work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3. What is the difference between the FX2 body and the FX2 with XLR Handle Unit?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FX2 body provides the core camera features, while the FX2 with XLR Handle Unit adds professional-grade audio inputs, ergonomics, and enhanced control for production setups requiring high-quality sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4. Can the Sony FX2 be used for low-light filmmaking?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the Sony FX2 excels in low-light environments thanks to its full-frame sensor and advanced ISO performance, allowing creators to capture cinematic shots even in challenging lighting conditions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5. Is the Sony FX2 compatible with professional filmmaking accessories?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAbsolutely. The FX2 supports a wide range of professional filmmaking accessories, including rigs, gimbals, drones, and external monitors, offering complete creative flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6. How portable is the Sony FX2 Digital Cinema Camera?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FX2 is designed with a lightweight, compact form factor, making it highly portable for handheld shooting, run-and-gun projects, and gimbal or drone setups.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e7. What recording formats does the Sony FX2 support?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FX2 offers a variety of recording formats, including high-bitrate options for cinema-grade productions and lightweight codecs for faster turnaround, giving filmmakers full creative control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e8. Does the Sony FX2 have professional audio input options?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the FX2 with XLR Handle Unit provides professional XLR inputs, allowing creators to record high-quality audio directly, eliminating the need for separate audio recorders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e9. Can the Sony FX2 be used as a B-camera for larger productions?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes, the FX2 is an excellent B-camera choice, seamlessly matching the look of other Sony Cinema Line cameras, making it ideal for multi-camera shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10. Is the Sony FX2 suitable for beginners in filmmaking?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile designed for professionals, the Sony FX2’s intuitive controls and compact design also make it accessible to ambitious beginners looking to step into cinematic-quality production.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Body Only","offer_id":52270290796820,"sku":"ILME-FX2B","price":279990.0,"currency_code":"INR","in_stock":true},{"title":"Body with XLR Handle Unit","offer_id":52270290829588,"sku":"ILME-FX2","price":297990.0,"currency_code":"INR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0954\/8280\/6548\/files\/SonyFX2DigitalCinemaCameraOnlineBuyIndia.webp?v=1774420556"}],"url":"https:\/\/heyjimmy.in\/collections\/cinema-cameras.oembed","provider":"Hey Jimmy","version":"1.0","type":"link"}